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100A red-blooded adventure movie, dripping with atmosphere, filled with the gruesome and the sublime, and surprisingly faithful to the novel.
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70It may be long, but it's not boring -- how could it be when jack o' lanterns float lazily overhead in the dining hall, and the venerable Maggie Smith turns into a cat?
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70Is the movie any good? At the dawn of the twenty-first century, when art is defined by commerce, this question is beside the point.
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75Columbus has done a rousing job of bringing Rowling's rambunctious story to the screen. The eerie corridors and ever-shifting stairways of Hogwarts are as daunting, haunting, initially bewildering, and ultimately comforting as when Rowling painted them in prose.
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75That sense of déjà vu is at once this Harry Potter's balm and its limitation: many charms, but few surprises.
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80What saves Harry Potter and the Sorcerer's Stone is what created it in the first place: J.K. Rowling's enrapturing imagination. At those sporadic moments when the film allows us to share in Harry's wonder, it lets us recapture our own as well.
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60What's on screen, though, is a cautious approach to cinema wizardry -- broad, colorful strokes and flash-bang effects that turn J.K. Rowling's words into a long, cheerful spectacle with a Muggle soul.
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80Retains (and in many cases, boosts) as much of the spirit [of the book] as you could reasonably expect. And it makes a worthy attempt to duplicate Rowling's engaging sense of humor.
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67Columbus' film version is fine, and it's bound to make kids happy while simultaneously generating untold box office, but if you haven't yet picked up a copy, don't let the film override the novel; set aside a weekend, dive in, and then head off to the cineplex to take in this well-done companion piece.
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75Though the film will undoubtedly please the young viewers who flock to it, ultimately many of the book's readers may wish for a more magical incarnation.
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60The English cast is fun; but this is more spectacle than story, and the Steve Kloves script deserves better handling than director Chris Columbus -- plus any number of studio deliberators -- gave it.
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63It's a very busy movie, designed to appeal to short attention spans, and it leaves you feeling full, but not satisfied, because it's missing the most important ingredient of all: genuine magic.
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88Can there be higher praise for a motion picture designed to capture a beloved book with fidelity, thoroughness and affection? Only this: They made it better.
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58In their hands [Terry Gilliam or Tim Burton or even Steven Spielberg], Harry Potter and the Sorcerer's Stone might have made as terrific a movie as it is a book. When Columbus got the job, however, it was guaranteed only to be a commercial success.
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40Given that movies can now show us everything, the manifestations that Ms. Rowling described could be less magical only if they were delivered at a news conference.
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90The script is faithful, the actors are just right, the sets, costumes, makeup and effects match and sometimes exceed anything one could imagine.
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75At its best, the film's visual dazzle equals the tasty wordplay of the novel. But it is overlong, overscored, and curiously misshapen.
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91It's eye-filling, well-cast, often very funny and executed with great imagination and flair.
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60This version of the Potter saga is fun and harmless rather than memorable or imaginative. That's certainly no crime.
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63All it lacks are the crucial things an inspired director could have provided: spark, soul and magic.
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88If the movie doesn't ultimately transport us to places The Wizard of Oz once took us, that may be partly because "The Sorcerer's Stone" is just the first chapter, with more magic waiting to be parceled out in the coming years.
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60There's a palpable avoidance of risk as this new mythology is wheeled gingerly into the marketplace and carefully positioned to zap your pre-sold brain...Solid but uninspired, Harry lacks brio. It's respectable and a bit dull.
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50The film lacks moviemaking buoyancy -- the feeling of soaring in space that Rowling's magic-carpet prose gives the reader. The picture isn't inept, just inert.
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63A firm, ringing yes and no on Harry Potter and the Sorcerer's Stone. The best thing about it may be that it will lead many back to read -- or re-read -- the book.
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50As a movie, Harry Potter and the Sorcerer's Stone has no inner life -- no pulse -- of its own: It's secondhand.
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70Columbus's Harry Potter has many delights, but the magical alchemy that the book seemed to achieve so effortlessly eludes it.
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75As entertaining as it is amazingly faithful.
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50Potter-philes are sure to get what they want -- if what they want is, in fact, an exacting version of J.K. Rowling's charming children's fantasy. If it's enchantment they are after, that's quite another matter.
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40I wish Harry Potter and the Sorcerer's Stone had developed more of a life of its own instead of being essentially a flat visualization of the book.
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75Does it immerse the uninitiated into a new, fabulous world? Yes. To the book's many readers, does this feel like the real "Harry Potter"? For the most part, yes.
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40A clumsily directed, painstakingly faithful adaptation thats heavy on plot, light on nuance, and features in its title role a young newcomer whose most striking quality is an almost preternatural absence of oomph.
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75Absolutely the best single moment, beautifully presented, comes when the orphaned Harry looks in a mirror and sees his parents there. It is brilliant in its simplicity and very moving.
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90Happily, then, the first movie of the Harry Potter series casts a splendid spell, as screenwriter Steve Kloves has transcribed J.K. Rowling's novel nearly to a T, with precious little tweaked or trimmed.
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70Yes, this "Harry" does indeed fly -- just don't expect the movie to soar into the higher altitudes of imagination.
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Harry Potter and the Sorcerer's Stone is, despite its trickery, that plainest and least surprising of artifacts; the work of art that is exactly the sum of its parts, neither more nor less. [19 Nov 2001, p. 78]
User score distribution:
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Positive: 129 out of 156
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Mixed: 7 out of 156
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Negative: 20 out of 156
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EstebanF.10