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90Here the clinical, stopwatch precision of Mr. Tykwer's explorations of synchronicity and Kieslowski's warmer, metaphysically dreamy speculations about the role of chance and coincidence in human affairs synchronize into a film whose formal elegance is matched by its depth of feeling.
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90Mr. Tykwer's hands the movie changes almost magically from drama to chase to romance. As it does so its moral weight lessens; by the end there is less than what first engaged the mind. What meets the eye, though, is unforgettable.
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90Unusual, unexpected and strangely refreshing. For this movie to have resorted to a familiar action-flick finish with everything explained, pressed and dry-cleaned would have rendered it banal.
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90It's Tykwer's most assured picture to date, and like much of Kieslowski's best work it qualifies simultaneously as engrossing narrative and philosophical parable.
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88The result is both engrossing and moving, a poem about a love that breaks barriers and passes understanding.
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88Odd, and awkward in places, but its lyricism and power stay with you.
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83Not just love, but maybe an escape from a wretched world. We're not sure, but that's what makes Heaven so inexplicably, intriguingly soulful, even in its most remote and architectural instances.
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80Tykwer's actors seem completely clued in to his intentions. Both Blanchett and Ribisi give performances so restrained they're almost subliminal.
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75Poetic in its sadness, and Blanchett's performance confirms her power once again.
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75Tykwer doesn't aim for the heights of excitement and invention he reached in "Run Lola Run," but he blends an impressively varied palette of moods into an intriguingly unpredictable story that's never short of ideas.
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75If Heaven doesn't quite achieve the transcendent power that Kieslowski might have attained, it comes close. One shot in particular, with the couple making love under a tree in silhouette, is a thing of quiet, sublime beauty that is eloquent in a way words never could be.
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75Too bad Heaven creeps into town when it deserved more fanfare. Consider it buried treasure, a thriller for the art- house crowd.
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75A mystical tale of two souls, joined in love but divided in society, seeking redemption and understanding before they pass to another plane.
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75It's maddeningly chowderheaded, simplistic, pretentious, and not a little silly. You can't take your eyes off it.
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75The result is a beautifully designed, lyrical fable of a movie, full of God's-eye shots from on high, placing the characters against the Italian scenery and medieval architecture.
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75Blanchett is riveting.
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75Touching, transcendent love story.
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70The final product is so eccentric and resolutely uncommercial -- and so faithful to the spirit of Kieslowski's oeuvre -- that it's hard to doubt the purity of Tykwer's intentions.
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70An art film without the NYFF imprimatur, Heaven is a peculiar amalgam -- a Miramax package (without the hype), directed by German hotshot Tom Tykwer under the eye of Anthony Minghella, from a script with which the late Krzysztof Kieslowski had planned to inaugurate a new trilogy named for the Divine Comedy.
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63Heaven's tone is all wrong. The movie tries to be ethereal, but ends up seeming goofy.
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63Heaven is so determined to be poetic and beautiful, it comes across as forced and didactic, a lesson in relative morality whose storyline doesn't so much flow as lurch from one stretch to another.
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60A great deal of energy is expended on metaphysical ruminations that become ever fuzzier. The film is intended as an allegory, but it works best as a jailbreak romance. In this movie, lowbrow trumps highbrow every time.
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60With Heaven, Tykwer completes his self-appointment as Kieslowski's heir apparent, but since he has always been a better filmmaker than a thinker, his ideas drift into the ether.
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60Sports a lustrous performance by Cate Blanchett that gives the movie much of its final sheen but still can't keep it on the rails as the already flimsy story starts to disintegrate in the final act.
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50Turns out to be an exercise in flatulent pretension, puffed up with a bogus, empty "spirituality" and dependent on a plot filled with implausibilities.
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50Heaven is saved only by the power of an occasional hypnotic image.
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50The conclusion, clearly meant to feel ambiguously poetic, is distinctly unsatisfying.
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50Isn't a bad movie by conventional standards, just a boring one.
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42Further sad evidence that Tom Tykwer, director of the resonant and sense-spinning ''Run Lola Run,'' has turned out to be a one-trick pony -- a maker of softheaded metaphysical claptrap. It's enough to make you want to see him run again.
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It's a mannered, precious exercise that seems to have less to do with lived moral dilemmas than with the smug piety of its makers.
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30Doesn't have the courage of its conceit, only an abundance of bad ideas and worse taste.
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User score distribution:
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Positive: 5 out of 7
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Mixed: 1 out of 7
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Negative: 1 out of 7
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StephenK10Beautiful film with a visually amazing and poetic surprise ending.
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JohnM.10This is a great film about love. Beautifully shot. Wonderfully directed.