- Studio: Universal Pictures
- Release Date: Jul 11, 2008
- Critic Score
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100With writer-director del Toro given free license to go where his singular vision takes him, Hellboy II plays like Guillermo's Greatest Hits with even hotter visual effects.
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100Poetic, funny, darkly romantic and beautifully structured -- is a very different picture from "Pan's Labyrinth." But there's no doubt that it springs from the same cathedral.
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100Del Toro is almost alone in his ability to re-create on screen the wide-eyed exhilaration and disturbing grotesqueness that is the legacy of reading comics on the page.
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90Perlman's Red is hilarious, combining the gritty delivery of a film noir cop with the physiognomy of a horned behemoth. And the script, by del Toro and Mignola, alternates action smackdowns with sweet, goofy moments, like a scene in which Red and the lovelorn Abe drink beer and croon along with a Barry Manilow record.
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90If the film is just as strange and endearing as its glowing protagonist -- and it is -- that's because the director and co-writer (with Mignola) is Guillermo del Toro, 43, who has the wildest imagination and grandest ambitions of anybody in modern movies.
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90Not to disparage the f/x guys, but what's onscreen in Hellboy II is all about the seismic eruptions in del Toro's head. Comparing his work to most fantasy cinema is like comparing cave drawings to the Cathedral of Cologne.
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90Hugely inventive -- and smashingly beautiful.
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90As he has done in all his movies, from creature features such as "Mimic" to serious dramas such as "Pan's Labyrinth," del Toro creates unforgettable images, filled with color, texture, lyricism and horror.
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88Imagine the forges of hell crossed with the extraterrestrial saloon on Tatooine, and you have a notion of Guillermo del Toro's Hellboy II: The Golden Army.
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88It's a dry, mundane title. It's also the only thing about the film that doesn't blow your mind right out of its comfortable, I've-seen-all-this-before rut.
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83The Golden Army dazzles like something out of "Jason and the Argonauts." To make a comic-book fantasy this derivative yet this dazzling requires more than technique. It takes a director in touch with his inner hellboy.
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83Ron Perlman returns as the film's loveable title character, a demon gone good who's tough on the outside but tender underneath, with a soft spot for kittens, candy, and babies.
User score distribution:
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Positive: 68 out of 94
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Mixed: 7 out of 94
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Negative: 19 out of 94
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8Despite a dismally doom-laden plot, Del Toro's utterly breathtaking visuals and charm send this sequel soaring into the right direction.
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Think of Hellboy II as Star Wars mixed with Hell. Yet, in a good way. Guillermo Del Toroâ