Universal acclaim - based on 37 Critics What's this?

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Generally favorable reviews- based on 227 Ratings

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  • Starring: ,
  • Summary: Georges (Auteuil), a television talk show host, and his wife Anne (Binoche), are living the perfect life of modern comfort and security. One day, their idyll is disrupted in the form of a mysterious videotape that appears on their doorstep. On it they are being filmed by a hidden camera from across the street with no clues as to who shot it, or why. As more tapes arrive containing images that are disturbingly intimate and increasingly personal, Georges launches in to an investigation of his own as to who is behind this. As he does so, secrets from his past are revealed, and the walls of security he and Anne have built around themselves begin to crumble. (Sony Pictures Classics)
Score distribution:
  1. Positive: 35 out of 37
  2. Negative: 1 out of 37
  1. 100
    A perplexing and disturbing film of great effect.
  2. The picture moves with stealth, enjoying its own thriller-ness as hints are laid and mislaid. There's a sense that Hitchcock is hovering in the background and cheering for Auteuil, who musters all his French superstardom to play a man having his mask of blandness torn off.
  3. Haneke echoes the theme of Hitchcock's "Rear Window": Moviemaking is basically an act of voyeurism. We secretly examine people's lives in every movie. But in this one, there is a hidden camera, a movie within the movie as it were, forcing us to observe a character along side a mysterious stranger.
  4. This is the most Hitchcockian of Haneke's films. A seemingly well-adjusted man in a well ordered universe is brought to the brink.
  5. 80
    The eerily timely subject of Haneke's film is France's unwilling encounter with the disenfranchised minorities it has tried to sweep under the rug. As one who giggled through his widely admired, irredeemably silly "The Piano Teacher," I wasn't prepared to be easily won over by Caché, but it turns out to be his most human and affecting movie to date.
  6. Demanding, quietly breathtaking film.
  7. In the important things, in all the ways that really count, Caché is a handsome fraud.

See all 37 Critic Reviews

Score distribution:
  1. Positive: 66 out of 120
  2. Negative: 45 out of 120
  1. Nov 17, 2010
    Beautiful film. Long, silent shots set a perfect tone and built the tension for the more shocking and passionate scenes. Best of 2005 and one of the best of the decade. Expand
  2. BenK.
    Jan 30, 2006
    A film more about the viewer than what appears onscreen. We must know, we demand to know what it all means but the are no satisfying answers.
  3. BernardR.
    Feb 18, 2007
    People who rated this movie lower than 5 are just too dumb to watch such superior movie. I like the comment from someone here about Jeniffer Aniston. Those people who didn't get this movie might rate Aniston's movies as EXCELLENT. Expand
  4. LindaL.
    Mar 31, 2006
    I'm equally dismayed by reviewers who (a) tried to make this all about racial politics or (b) somehow managed to miss the clue in the final scene. That said, to me the clue was far from an answer, and you won't love the movie if you prefer an understandable ending. However, it's engrossing, and Auteuil and Binoche are brilliant as always. Expand
  5. Feb 13, 2012
    In all fairness, I ejected this film after the chicken slaughter scene. I know that was an integral and symbolic scene but the senseless torture of animals for a movie is unacceptable and I have no respect for a director who condones such acts. I can't believe there isn't more uproar in the reviews about this particular. Also, the premise has a major flaw. If someone is stalking you with surveillance video and footage of familiar (childhood) locations and then leaving these tapes at your doorstep, why not set up a video camera yourself to see who is doing this? Expand
  6. KenO
    Jan 4, 2010
    Love the comments from the "feelm" snobs about how great this was. Pretentious, boring, slow...does France have a surplus of video stock? That's the only explanation for the multiple minutes-long scenes of *nothing* happening. I figure the actors and crew were having lunch, someone left the camera on, and when they got back Haneke shrugged his shoulders and said "print it". And the slasher scene---sure, everyone knows that Friday the 13th and Halloween part 25 are the epitome of artistic cinema, but this? Looked more like Monty Python's Black Knight. Expand
  7. shawn
    Dec 27, 2005
    I simply cannot believe how many reviewers are liking this ridiculous waste of film. An unoriginal idea (David Lynch already did this) with shots held far too long for no apparent reason. When Tarchovsky does it, it works. When Haneke does it, it's akward, almost clumsy. What I also do not understand is why no one seems at all bothered by the slaughter of an animal onscreen. Are we supposed to be impressed by this lame attempt to get under our skin? Slasher films ran their course some time ago. Perhaps someone should tell Europe that the 80's are over. And I don't even know where to begin with all the comments comparing this hack to Hitchcock. Cache reminded me far too much of a student film that needs about 100 minutes edited out of it. Expand

See all 120 User Reviews