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80Surprisingly smart film.
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80What makes Hit and Runway uniquely fun, however, is the unapologetic extent to which Livingston and Cohen turn it into an index of beloved Woody-isms.
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80A little gem, a sparkling comedy with serious undertones about friendship, self-discovery and artistic integrity.
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63Does have a sort of endearing, earnest charm. But it would take much more than good intentions to save a film that rehashes cliches and concepts so unabashedly.
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60Hits the wall and runs off the rails. They should've stuck to shtick.
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50Individual moments in Hit and Runway are quite funny, but as a send-up of action-movie mindlessness, the movie is sometimes as dumb as its targets.
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50For a little while, comedy ensues.
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50A mildly diverting gay-straight odd couple comedy that has just enough bright one-liners to carry it past its plot structuring.
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50Crams more subplots, minor characters and comic situations into 100 minutes than most sitcoms burn through in an entire season. And that's not necessarily a good thing.
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50Predictable and agonizingly politically correct.
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40Hit and Runway is a case of the emperor's old clothes: drab, sentimental rags that desperately want to be something else.
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38A shame that this indie's willingness to trade in stereotype leaves a sour taste in your mouth.
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30The fictionalization of their journey is simply not that engrossing, nor are their alter egos, with their tightly scripted character arcs.
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30A show about nothing—its jokes based on stick-figure stereotypes, its lunges at humanism premised on imbecilic pity.
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