- Studio: Twentieth Century Fox Film Corporation
- Release Date: Aug 14, 1998
- Critic Score
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This is escapism, pure and simple. And few know the power of such purity better than Terry McMillan.
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80Stella may be frothy and paper-thin, but it's also another great success for star Angela Bassett, who transforms the film into an infomercial for her considerable abilities.
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78The filmmakers go to obvious pains to add a bit of nutritive value to their sweet, frothy confection.
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75Whether you regard Stella's getting her groove back as a feminist battle cry or as a silly wish-fulfillment fantasy, the movie delivers guilt-free escapism about pretty people having wicked-hot fun in pretty places.
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75For once, with How Stella Got Her Groove Back, Hollywood offers a love story that concentrates on the simple nuances of the romance rather than smothering us in an overly- melodramatic narrative featuring old boyfriends, jealousy, and hard-to-swallow misunderstandings.
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70The movie, adapted by Terry McMillan from her semi-autobiographical novel, is pointedly boundary-breaking in its positive portrayal of a May-September relationship between a younger man and an older woman.
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70Rarely have we seen black love be this sensual.
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63How Stella Got Her Groove Back tries its best to turn a paperback romance into a relationship worth making a movie about, but fails.
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60This lushly produced, lightweight romance embraces every cliche of the genre without so much as an ironic shrug.
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60A glossy, attractive, ultimately empty soap opera that -- despite being based on a true story -- never seems remotely plausible.
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60Director Kevin Rodney Sullivan, a television veteran making his feature film debut, has fluffed up this undemanding material much as one would a pillow. But pillows have their place and so do girlfriend movies.
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This is Harlequin Romance land, and the film squeaks by as long as it's content to watch its lovers throwing off sparks.
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50Bassett and Diggs are appealing as the slightly odd couple, but the movie rambles on too long.
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50I'm not denying that a 40-year- old woman might be self-conscious about going around with someone this young. But the subject isn't interesting or provocative enough to sustain an entire movie.
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It's a fun movie - full of laughs and touching moments.
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50The movie meanders on and on, like a bad sexual dream, until you finally wake up mumbling: Stella, please: leave that groove thang alone.
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It's not a very well-made movie, but Stella's many limitations will probably be a side issue among its target audience, irrelevant next to those repeating images of Angela being so rich and beautiful and black.
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50Buffed and waxed to within an inch of its life, Stella registers as more of a sequence of slick commercials than an actual drama.
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50All the comedy, tragedy, and various obstacles to romance seem to have been contrived to divert the story from its tendency toward pulp erotica.
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42Bassett's natural dramatic fierceness, so powerful when incited to action, is at odds with the knee-weakening sexual surrender required by the story.
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40Director Sullivan lingers too long in every photogenic location and drags out every incident as if he's making six episodes of a not very sparkling serial.
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40This upscale Harlequin fantasy film works much the same terrain as Douglas Sirk's All That Heaven Allows, a '50s weepy about an affair between an older woman and a younger man, though without an iota of its wit or intelligence.
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40Like "Waiting to Exhale" except more so, film jerks from scene to scene with little sense of rhythm, continuity or dramatic shaping.