- Studio: Artisan Entertainment
- Release Date: Oct 9, 2002
- Critic Score
- Most active
- Publication
- Most clicked
-
90Maybe How to Draw a Bunny itself is really Ray Johnson's final testament, created with a mischievous wink from beyond the grave. After watching this extraordinary documentary, one has no doubt that such an act is well within Johnson's creative powers.
-
90A seamless model of form and content. (My only quibble is the poor quality of the digital video, which doesn't do justice to Johnson's work.)
-
80Unlike most documentaries about arty types, John Walter's wonderfully capricious, wittily edited film about Johnson seeks to make precise all the different ways in which the artist managed to remain opaque.
-
The opportunity to dig into the trove of Johnson's art is an ultimate reward beyond all offbeat attempts to understand the artist himself. At its best, How To Draw A Bunny amounts to a shadow history of the American avant-garde.
-
80Absorbing documentary portrait.
-
80An intriguing and entertaining introduction to Johnson through his varied art; the mystery surrounding his death, which may have been his final performance piece, and the reminiscences of contemporaries.
-
80Debuting helmer Walter assembles an aptly colorful package, with stylistic integration of elements from Johnson's delightful visual art. A major plus is the skittering percussion score by bebop jazz great Max Roach.
-
75A fascinating exploration of the mysteries of the artist's life.
-
75Probably the most definitive portrait of Johnson that we are likely to get.
-
How to Draw Bunny won the Special Jury Prize at the 2002 Sundance Film Festival, which must go to show how scarce noteworthy documentaries are.
-
70John Walter's documentary suggests that Johnson, who made no distinction between his life and his art, designed every detail of his own mysterious 1995 suicide with the same whimsical care that went into his painstakingly assembled pieces, and provides an engaging overview of Johnson's eccentric career in the process.
-
50One's appreciation of this film depends largely on one's ability to be amused by a Dadaist prankster and interest in the Pop Art scene in the middle of the last century.
prev
next
Page:
- 1
There are no user reviews yet.