- Studio: Fox Lorber Home Video
- Release Date: Jun 16, 2000
- Critic Score
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100Dumont's cinematic style is aggressively physical and philosophical at the same time. It irritates as many viewers as it inspires, but it prompts more thought than ordinary movies ever do.
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91A beautiful and compassionate work, at once stark, sensory and spiritually grasping, that challenges us to forgive even the most monstrous sins.
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90It's a haunting, hypnotic film that exerts an escalating grip on the heart and the conscience.
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90Audiences willing to wade knee deep in the muck and mire of the human abyss are advised to seek out Humanité at the local arthouse.
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90A film of stunning impact.
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90You probably won't feel comfortable when Humanité is over, but as you leave the theater you will feel more alive than when you entered.
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90Dumont's film is unfinished in the sense that some paintings are.
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88Not an easy film and is for those few moviegoers who approach a serious movie almost in the attitude of prayer.
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88A harsh, spellbinding tale.
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88Staggering, gorgeously ambiguous.
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84Dumont's movie has virtually nothing wrong with it -- aside from the fact that it drives people crazy. Take the leap, but expect no answers. Just like life, as they say.
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80Confidently absurd.
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75Humanite isn't like any other film: It's uncompromising, eerily affecting and wildly unresolved.
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75It ought to be seen, because it's a work of moral and spiritual mystery.
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67Frustrating, tedious and yet often compelling.
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Maddeningly pretentious and often slow to the point of tedium, Humanite is also hauntingly original and truly strange.
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63While Dumont's movie has its striking scenes, it is doomed to a sense of lethargy and inertia by the kind of people it ponders and the context in which they are placed.
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Under that small but growing category of movies that break the mold but that no one but a masochist could sit through is Humanité.
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50This curiously empty film was awarded the Jury Prize at the 1997 Cannes film festival.
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50If only the whole thing didn't collapse in on itself, and quickly become a parody of artistic reach and terminal folly.
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40Don't ask us why this minimalist drama won prizes last year at Cannes or why it is getting raves in its U.S. release.