Metascore
66

Generally favorable reviews - based on 24 Critics

Critic score distribution:
  1. Positive: 18 out of 24
  2. Negative: 0 out of 24
  1. Much to cheer here, from its treasure trove of early and alternate versions of songs to the triumphant finale.
  2. 88
    This picture is jagged and exciting; it tells several plots imperfectly, yet makes them add up to a great American story about integrity challenged and triumphant.
  3. 63
    To love Wilco is to believe in a certain rustic intelligence about popular music (and about yourself) and to embrace the Tweedy worldview that you need sarcasm and vagueness to cope with the pitfalls of sincerity.
  4. 90
    In the last two decades rock documentaries have become ubiquitous on TV but marginalized as cinema; this is the rare exception that earns its place on the big screen.
  5. This is a rare gem tripped over while making a run-of-the-mill rockumentary about a band's new album.
  6. A modest vérité portrait of Wilco, the engagingly melodious, deeply unglam alt-folk rockers.
  7. 70
    In 30 years’ time it might seem as incisive a document of its time as, say, “Don’t Look Back” or “Gimme Shelter.” As a study of how the current corporate idiocy impacts one man’s art, it’s priceless.
  8. 40
    As Tweedy talks about canning his stockbroker and repairing his pool, you yearn for a few airborne TV sets or nude groupies on the nod to liven things up. And what do we get? Diet Coke! Tonight is definitely not the night.
  9. An exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.
  10. 50
    A slightly dull film by photographer Sam Jones.
  11. what we've got here is a little propaganda film. A mild one, certainly, but the cliché of DIY hopefuls (band) versus the Big Machine (music industry) foments the same tedious struggle of art versus commerce.
  12. This is compelling stuff, but Jones seems almost pathologically averse to upstaging the songs themselves.
  13. 63
    The concert footage is stirring, the recording sessions are intriguing, and -- on the way to striking a blow for artistic integrity -- this quality band may pick up new admirers.
  14. Reviewed by: Dan DeLuca
    88
    Tells Wilco's story so well that you'll leave the theater thinking the album is a work of genius.
  15. Reviewed by: James Sullivan
    50
    Business intrudes on art.
  16. Reviewed by: Bill White
    75
    The film perpetuates a self-congratulatory vision of the record's worth, when an opposing point of view would have provided a more balanced perspective.
  17. 90
    A superb portrait of a band and an industry in flux.
  18. May be anticorporate, it's by no means hype-free.
  19. 80
    A photographer for magazines like Vanity Fair and GQ, as well as a veteran director of commercials, Mr. Jones brings a trained eye to this, his first documentary. The low gray skies of Chicago prove once again to be a boon to photography, and the city has seldom looked better than it does here, in its chilly, minimalist beauty.
  20. Reviewed by: Staff (Not credited)
    70
    Shot in grainy black and white, the film features tons of entertaining footage of the band in the studio as well as an enlightening commentary from music critics Greg Kot and David Frick.
  21. Reviewed by: Robert Koehler
    40
    May leave itself open to charges of being little more than a promo feature posing as a documentary, but pic nevertheless is a warts-and-all look at a group of musicians -- and the music biz -- likely to make most record label flacks flinch.
  22. 40
    Jones's documentary, named for the opening song on Foxtrot, is most effective as a poison-pen missive to Corporate Rock.
  23. 80
    It testifies to art's vitality and endurance, despite its marketers' -- and sometimes even its makers' -- efforts to the contrary.
  24. Reviewed by: Richard Harrington
    70
    The unexpected drama captured puts I Am Trying to Break Your Heart in the good company, if not quite the league, of "Let It Be" and "Gimme Shelter."

There are no user reviews yet.