2016
Not Rated
Icarus Films
1 h 7 m

2016
Not Rated
Icarus Films
1 h 7 m

Summary I Don't Belong Anywhere: The Cinema of Chantal Akerman explores some of the Belgian filmmaker's 40 plus films, and from Brussels to Tel Aviv, from Paris to New York, it charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shared with Marianne Lambert her cinematic trajectory, one that never ceased t...

Documentary

Directed By: Marianne Lambert

2016
Not Rated
Icarus Films
1 h 7 m

2016
Not Rated
Icarus Films
1 h 7 m

I Don't Belong Anywhere: The Cinema of Chantal Akerman

Name: I Don't Belong Anywhere: The Cinema of Chantal Akerman
Genre: Documentary
Released: 2016-03-30
Duration: 1 min 7 s
Rating: 70
Cast: Chantal Akerman, Gus Van Sant

Metascore Generally Favorable Based on 5 Critic Reviews

User Score Available after 4 ratings

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Where to Watch

Documentary

Directed By: Marianne Lambert

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Chantal Akerman

Gus Van Sant

Self

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Metascore

Generally Favorable Based on 5 Critic Reviews

100% Positive
5 Reviews

0% Mixed
0 Reviews

0% Negative
0 Reviews

All Reviews
Positive Reviews
Mixed Reviews
Negative Reviews

Critic Reviews

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Metascore

Generally Favorable Based on 5 Critic Reviews

100% Positive
5 Reviews

0% Mixed
0 Reviews

0% Negative
0 Reviews

All Reviews
Positive Reviews
Mixed Reviews
Negative Reviews

Boston Globe

May 19, 2016

Akerman, though, is her own best spokesperson as she discusses her films at locations where they were shot.

By Peter Keough FULL REVIEW

Slant Magazine

Mar 28, 2016

The documentary is an attempt to capture something of Akerman's infectious spirit and thirst for worldly experience, as both an artist and a human being.

By Clayton Dillard FULL REVIEW

Los Angeles Times

Apr 21, 2016

Within the doc's brief running time, Lambert sculpts a discerning overview of the artist and her filmography.

By Sheri Linden FULL REVIEW

The New York Times

Mar 30, 2016

Ms. Lambert’s film builds nicely, staying in tune with the ordinariness and intimacy explored in Ms. Akerman’s boldly rendered films.

By Nicolas Rapold FULL REVIEW

The A.V. Club

Mar 29, 2016

Ironic, given what a deeply personal filmmaker she could be, that the film that best shows her brilliant intellect and insight isn’t her own.