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100The result is by far the most original comedy of the year. Russell might alienate some audience members here--but it’s possible they literally won't know what they're missing.
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90The film is a snort-out-loud-funny master class of controlled chaos.
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88Among the most insane mainstream movies ever released.
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88Watching I Heart Huckabees was like taking my first Manhattan cab ride with a madman behind the wheel. As the skyscrapers whizzed by, I thought, "What a view! I just wish we'd slow down, so I could take everything in."
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80A fresh, funny little romp.
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80A fresh, buoyant, mischievous and rather jolly meditation - if that's the word for a movie as divinely nuts as this one is - on the meaning of life in an unhappy world.
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80One of the boldest, most audacious American movies of the last 25 years, a freewheeling cerebral carnival of energy and ideas, if not always coherence or cohesion.
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75Best of all is Mark Wahlberg as Tommy, an angry post-9/11 firefighter so against Big Oil that he rides to fire scenes on his bike.
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As one might imagine, with such a neato premise and lofty goal, the plot's a little messy. So points docked for execution.
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75The frantic nuttiness of the stylistically dynamic Huckabees is often laugh-out-loud funny, but amid the pandemonium there's a sense of truly rigorous soul-searching.
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75A risky, foolish, intelligent comedy.
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75A lot of people are going to describe it as a waste of time, yet there's a likeability to the quirky characters that held my interest while tickling my funny bone.
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70There's more than a bit of Charlie Kaufman to the heady premise, although the scenario doesn't double back on itself--except perhaps in the joke of having Schwartzman's actual mother, Talia Shire, play his mother on-screen.
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The movie is undeniably weird, though it's hardly what you'd call "experimental." My hunch is that whether you love it or reject it as obtuse, incoherent or self-involved will be a generational thing.
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70Clever but distancing, this existential comedy bounces along on the backs of its tasty cast, witty writing and stylistic verve.
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With razor-sharp performances, zingy one-liners, broad slapstick humor and a message of sorts, there's enough to distract the viewer from becoming hopelessly lost in the lint-filled chaos that is the umbilicus.
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67Despite a consistent tone of all-out absurdity, it's a very demanding movie, and its goofiness is never inspired or laugh-out-loud funny enough to carry us along on its leap of imagination.
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63What emerges is part screwball comedy, absurdist farce, social satire and earnest self-exploration. If it had the unwavering focus and clear-eyed vision of Russell's previous two features, I Heart Huckabees might have been brilliant.
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63So I didn't Huckabees, nor did I entirely not it. Rather, when the end draws nigh and judgment beckons, I'm doomed again to dither in the tepid netherworld, that vast limbo where movies are only half-decent and movie-going is merely half-ed.
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63Huckabees boasts an impressive cast, and every one of them is fun to watch. But there's a strong sense that no one really knows what's going on here.
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60Despite the unique premise and some truly inspired casting, the picture remains stuck in an existential rut of its own.
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60Feels weirdly impersonal; very little love, or even true thought, shows up on the screen.
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60A philosophical comedy about man's place in a universe colonized by Targets and Wal-Marts.
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50Individual moments and lines and events in I Heart Huckabees are funny in and of themselves. Viewers may be mystified but will occasionally be amused. It took boundless optimism and energy for Russell to make the film, but it reminds me of the Buster Keaton short where he builds a boat but doesn't know how to get it out of the basement.
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50David O. Russell hasn't yet developed enough filmmaking savvy to juggle so many intellectual, emotional, and narrative elements. He's clever and ambitious, but perhaps too much so.
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50Everyone up on the screen appears to be having so much fun, you wish the movie found a way to let you into the party.
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50The cinematic equivalent of the mad-scientist experiment gone awry. It seems to be grooving on its own strangeness, at the expense of its connection with a paying audience.
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50Overstocked farce.
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50When the average comedy is aimed at juvenile 12-year-olds of all ages, the fact that Russell's target audience is precocious 12-year-olds of all ages is a significant improvement without actually being a triumph of mature wit over boorish puerility.
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50The resulting product is so disjointed it's hard to tell if Russell dumbed down the film in the hope of garnering a larger audience, or if I Heart Huckabees simply isn't as smart as it likes to think it is.
User score distribution:
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Positive: 57 out of 78
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Mixed: 7 out of 78
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Negative: 14 out of 78
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