User Score

Universal acclaim- based on 43 Ratings

User score distribution:
  1. Positive: 38 out of 43
  2. Negative: 3 out of 43

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  1. May 11, 2014
    " Ichi The Killer" is a real pulp made ​​in Japan , which took , however, the element of violence and has an extreme beyond belief . The film , in fact, not only shows rapes and gruesome scenes of sadism , but also of extreme masochism. These scenes are a real film heritage , both for their originality in the field of horror , but especially for the skill with which they are filmed.
    Excellent editing, deliberately confusing and perfectly collimated to fresh and grotesque screenplay , and directed by Miike , which shows no particular technical virtuosity but really elegant .
    As for the actors, while Nao Omori ( Ichi ) and Tadanobu Asano ( Kakihara ) interpreters are really excellent, the rest of the cast is not quite up .
    Obviously, " Ichi The Killer" is not a film for all tastes , given its content highly controversial , so I strongly advise watching the impressionable . However, those who are fans of the genre should not miss this gem.
  2. May 20, 2012
    Bland. Boring. The manga is perverse and extreme, which is not necessarily a "good" thing. I find Miike's general style is interesting because it doesn't adhere to certain cinematic rules, but his narrative doesn't captivate or hold gravitas. It doesn't feel like an aesthetic or anti-aesthetic, but rides right down the middle like a dull Goldilocks. Only his use of extreme violence and taboo themes make the fanboys feel like they're counter culture. In two words, over rated. But he's certainly grown as a film maker to some degree over the years. His use of color is also fascinating. Love hate. Collapse
  3. May 3, 2011
    In a world full of not good films, there exists a few films that are very good. This is one of those films. This is creativity for the sake of creativity. This is a celebration of hedonism and chaos.

Mixed or average reviews - based on 8 Critics

Critic score distribution:
  1. Positive: 1 out of 8
  2. Negative: 1 out of 8
  1. 60
    Takashi knows how to make a great, sleazy Yakuza film, but what I’m missing here is that sense of something brand new.
  2. This time around, the cult director dispenses with the feminism, the satire, and even the issues, so he can concentrate on his true passion: the dissecting.
  3. 50
    The direction occasionally rises to the level of marginal competence, but for most of the film it is hard to tell who is chasing who or why.