User Score

Generally favorable reviews- based on 109 Ratings

User score distribution:
  1. Positive: 75 out of 109
  2. Negative: 22 out of 109

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  1. Sep 3, 2014
    A curious imagination of six various Bob Dylan personalities, I'm Not There listens to the music, the story and the man. With re-created versions of Dylan songs by many of today's gifted musicians, you won't be disappointed. Also, worth tuning in simply for Cate Blanchett's take on Dylan a.k.a. Jude Quinn.
  2. May 21, 2013
    It's got plenty of standout performances, such as like Cate Blanchett's utterly uncanny turn as "Jude Quinn," but "I'm Not There" is way too ambitious interpretive, oblique, and abstract to be construed as a coherent biography.
  3. May 9, 2012
    First things first; this is most definitely an 'art movie' and yes, it's pretty long. However if you have the ability to maintain your attention, this an enjoyable watch. It's pretty for one thing. And really very smart. I can't say I understood every detail. But the approach to the biography is well done. Bob Dylan is complex character (aren't we all?) who has had an extraordinary life. So we see a fragmented reality, each character an stand-in for different sides of the whole person, the truth residing somewhere within. The clue is in the title. A great soundtrack too ('natch') Expand
  4. Feb 22, 2012
    Let me preface my review by saying I'm a huge Bob Dylan fan. Love his music. Love his book. Love his style. He is iconic. I don't feel like this movie really captured Bob's spirit. I was really bored by it to be honest. It was creative, and I thought that Cate Blanchett totally knocked the ball out of the park, but it was just a drag to watch. They should have made a movie where Cate Blanchett played Bob for its entirety. The soundtrack is great, and I give the film points for Blanchett's stunning performance. The other actors weren't necessarily bad, they just didn't really speak to me as a Dylan fan . . . Expand
  5. Oct 16, 2010
    A brilliant and original idea for a biopic. The 6 different arms of Dylans personality have their part to play, especially Cate Blanchett who proves herself to be a diverse and complete actress. How she manages to capture that druggy and care free spirit of the 60's like nobody else before her. Richard Gere dissapointed me slightly and was the least memorable of the 6 but Marcus Carl Franklin was a complete shock as 'Woody Guthrie' who is pursuing his dream to become a singer. Todd Haynes did a great job to get the rights to Dylans music let alone produce a movie as innovative as this. Expand
  6. Sep 3, 2010
    The many faces & phases of Bob Dylan.
    It's painfully pretentious, gruellingly long & quite disjointed.
    It's saving graces, however, are great performances by Heath Ledger & Cate Blanchett & of course the fantastic music.
    The film though just didn't work for me at all.
  7. Aug 27, 2010
    If there was was ever a film that could embody Bob Dylan, this is it, and that being said it is no means a biography. Rather than trying to encapsulate Dylan's life in any serial fashion, Todd Haynes opts to intersperse the different incarnations of the singer in both his music and personal life, imbuing surrealism and pure fiction to explain the chaos of his life. That being said, I wouldn't recommend this movie to people who aren't familiar with Bob Dylan or the musical movements of the 1960s-1970s; references like Pete Seeger trying to chop the electric cables with an axe at the Newport Folk Festival or tongue-in-cheek humor such as Dylan shouting at Jesus on the cross to "bring back your old stuff" would definitely go over most people's heads without any background. Expand

Generally favorable reviews - based on 35 Critics

Critic score distribution:
  1. Positive: 28 out of 35
  2. Negative: 1 out of 35
  1. Too often, it’s the MOVIE that isn’t there. What’s meant to be archetypal comes across as superficial.
  2. 88
    So what if nothing is revealed. Todd Haynes is a mischievous visionary who puts the music and the myth of Bob Dylan before us in I'm Not There and dares us not to revel in the troubadour's poetic, contentious, ever-changing essence. It's a feast for the eyes, the ears and the Dylanologist scratching around our minds and hearts.
  3. 90
    One of the most inventive and joyous movies of the year.