- Studio: IFC First Take
- Release Date: Aug 1, 2008
- Critic Score
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88We increasingly admire the quality of the acting: Both actors take their characters through a difficult series of changes, without ever seeming to try, or be aware of it.
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88Wonderfully romantic and romantically bittersweet. It's not about forever; it's about now.
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80The film also doesn't try to wrap things up nice and neat. That's not how life is and that's not how this film goes. But for those who can handle the truth, they should be prepared for a very moving experience. And Freddy Krueger references.
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80Lovingly photographed in a monochrome that recalls Woody Allen's Manhattan, this is a slickly scripted rom-com.
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80Smart dialogue, an impeccably crafted story, and eye-catching LA locations make this low-budget feature by Alex Holdridge the most worthwhile date movie I've seen in some time.
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Holdridge is clever enough to keep his characters from slipping into outright narcissism, or when they do, he's familiar enough with the art of mainstream moviemaking to balance the exhausted with the ecstatic.
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75Takes a bit of "Swingers" and a bit of "Manhattan" to create a slacktacular vision of uncertain youth in today's L.A.
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75With a moody overlay of songs supplied by Okkervil River and Shearwater, In Search of a Midnight Kiss also serves as a millennial's answer to Woody Allen's "Manhattan."
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75It's a handsome and entertaining small-scale picture with nice acting, some crisp (and some crude) dialogue and effective direction.
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75A romantic comedy with film noir shadows.
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75The rude naturalism of the opening scenes between Wilson and Jacob recalls the spirited vulgarity of "Clerks," with dialogue that would be hopelessly offensive were it not so funny and true to life.
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An amusing ensemble piece about the troubles of dislocated twentysomethings attempting to find their way through life and love.
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70Profane, hilarious and ultimately heartbreaking, Alex Holdridge's black-and-white feature In Search of a Midnight Kiss has a gutter purity that makes you root for it all the way and forgive its patches of ultra-indie awkwardness.
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70Performances are aptly quirky and ingratiating, Holdridge's seriocomic balance nicely judged. But the most outstanding element in an accomplished low-budget package is Robert Murphy's lensing, which recalls "Manhattan" in its B&W celebration of a cityscape.
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Despite some scenes that have the feel of an acting or writing workshop, these are believable, complex characters. Their story has a full measure of Judd Apatow raunch, with a dash of "Swingers" emotional sweetness.
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Very much a time-and-place film, by 2030 it will be useful fodder for historians.
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67Even when Midnight Kiss is sputtering, viewers can tune the dialogue out and just watch the scenery in one of the most "there"-y L.A. movies ever made.
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60By the end, Holdridge has captured the bittersweet complexities of romance with a wisdom that proves surprisingly seductive.
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60In Search of a Midnight Kiss has its derivative moments along with awkward patches -- the inelegantly shaped climax tries to force uninteresting parallels between the two central couples -- it manages the difficult task of creating a sustained, plausible and inviting world.
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50Painfully undermined by its central characters.
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50The arc of the story mirrors "Before Sunrise" and "Before Sunset," but the writing isn't nearly as strong, nor the characters as believable -- or likable.
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Holdridge's film oscillates wildly between low-key romantic comedy and antic slapstick and doesn't always hit the mark, but it has charm to burn.
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If it were a parody of relationship-youth pictures, In Search of a Midnight Kiss would maybe be tolerable, but writer-director Alex Holdridge seems to be playing it with a straight face.
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50In Holdridge's movie there is as much to repel as there is to allure, and I cannot imagine leaving a screening of it in anything less than two minds.
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38It wanders and putters and follows its main characters around.
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