- Studio: In the Family Productions
- Release Date: Apr 22, 2012
- Critic Score
- Most active
- Publication
- Most clicked
-
100Wang has made a confidently intimate movie that is devastatingly larger-than-life.
-
100What a courageous first feature this is, a film that sidesteps shopworn stereotypes and tells a quiet, firm, deeply humanist story about doing the right thing. It is a film that avoids any message or statement and simply shows us, with infinite sympathy, how the life of a completely original character can help us lead our own.
-
Nov 28, 2011100An acutely felt, altogether devastating family drama as intimate and affecting as it is sprawling and untamed.
-
90This deeply humanistic, profoundly touching work representing independent cinema at its finest should be seen by far wider audiences.
-
90Deliberate and marked by uncommon grace, In The Family manages to feel politically and culturally acute without ever resorting to melodrama, or having to wave banners for issues or causes, except perhaps in its quiet way for a renewed humanism in movies and a return to stories about everyday lives.
-
Nov 4, 201190Mr. Wang's slow-reveal psychological drama isn't just a showcase for his excellent ensemble cast. Beautifully modulated and stylistically sui generis, In the Family is also one of the most accomplished and undersold directorial debuts this year.
-
Nov 1, 201170With an incisive understanding of character, believably naturalistic acting, and lengthy scenes that don't feel stretched out so much as given room to breathe, In the Family proves that smart direction and an innate feeling for one's material trumps potentially precious subject matter.
-
May 31, 201263Despite a number of plot twists, In the Family is more about its constant blanks and dead time, its silence and inert camerawork, which require a viewer to fill in the gaps with one's own perceptions of what's happening.
-
50It is probably unlike any movie you've ever seen, and in ways both bad and good. It is, by turns, inept and brilliant, shockingly amateurish and inspired. To see it is to sit there for long stretches amazed at how clumsy, fake and misguided it is. But then, five minutes later you might easily be riveted and moved by its awkward brilliance.