User Score

Generally favorable reviews- based on 9 Ratings

User score distribution:
  1. Positive: 5 out of 9
  2. Negative: 3 out of 9

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  1. Sep 25, 2012
    This film is certainly not for everyone, at almost 3 hours length, with minimal soundtrack and mostly static shots. But I sat riveted until the end, as did most of the audience in the theater.

    The plot sounds melodramatic: a gay Asian man fights for the custody of the son he shared with his deceased lover. But writer/director Patrick Wang, who seems clearly influenced by the understated
    Yasujiro Ozu and Ang Lee, avoids the easy moral conflicts. Instead, he focuses on the daily lives of mostly average and good hearted people. There are no stereotype villains here. Instead of a Hollywood court battle, we have an almost documentary like deposition meeting that still manages to be dramatic and emotionally true.

    The cast is uniformly terrific, especially young Sebastian Banes as Chip and Brian Murray as the lawyer. Certain quietly powerful scenes still stay with me, like the kitchen scene post-funeral and Chip replaying the audiotape of his father's voice calling his name. Patrick Wang will be a talent to follow!

Universal acclaim - based on 9 Critics

Critic score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
  1. Reviewed by: Mick LaSalle
    Dec 6, 2012
    It is probably unlike any movie you've ever seen, and in ways both bad and good. It is, by turns, inept and brilliant, shockingly amateurish and inspired. To see it is to sit there for long stretches amazed at how clumsy, fake and misguided it is. But then, five minutes later you might easily be riveted and moved by its awkward brilliance.
  2. Reviewed by: Keith Uhlich
    Nov 13, 2012
    Wang has made a confidently intimate movie that is devastatingly larger-than-life.
  3. Reviewed by: Guy Dixon
    May 31, 2012
    Despite a number of plot twists, In the Family is more about its constant blanks and dead time, its silence and inert camerawork, which require a viewer to fill in the gaps with one's own perceptions of what's happening.