- Studio: Fine Line Features
- Release Date: Sep 20, 2002
- Critic Score
- Most active
- Publication
- Most clicked
-
100Watching Invincible was a singular experience for me, because it reminded me of the fundamental power that the cinema had for us when we were children. The film exercises the power that fable has for the believing.
-
80The period is evoked with care and imagination, and the film glows with Peter Zeitlinger's cinematography. It has some bravura images and surreal moments typical of Herzog, and composers Hans Zimmer and Klaus Badelt have contributed a lovely score.
-
80If Invincible is soft at the center, its visual grandeur and mostly full-blooded performances make it gripping, for this eminent German director has pulled off the tricky feat of elevating a true story into a larger-than-life allegory.
-
70An extraordinary story uniquely suited to Herzog's abilities, it eventually becomes easy to accept Ahola as a nearly mute witness to the obsessives around him, most immediately Tim Roth in a striking performance as Ahola's employer.
-
Though Ahola's acting is unschooled, to say the least, Herzog shrewdly uses his blunt sincerity to counterpoint Roth's spectacularly icy performance.
-
67Half-baked Herzog, though it has twinkles of theatrical purity that remind you of when his vision was grand.
-
63Erratically acted and, at times, clumsily written.
-
63Invincible works, simply but provocatively, as a parable about the oppressed and the oppressors, victimhood and fanaticism.
-
63Is a mellowed Herzog to be believed?
-
63Invincible lacks Herzog's usual visual and intellectual panache, and is afflicted by weak English-language acting, which makes it more of a career curio than a major work.
-
60There are some realistic, scary themes at work here that make it worth a look.
-
60A wonderful movie. For every misstep there are the sublime expressions of agony and ecstasy of which Herzog is a master.
-
50Herzog has certainly found a fascinating subject, but he does surprisingly little with it, especially considering the 135- minute running time.
-
50A strange but oddly memorable film.
-
40Steers clear of historical accuracy. Herzog is obviously looking for a moral to his fable, but the notion that a strong, unified showing among Germany and Eastern European Jews might have changed 20th-Century history is undermined by Ahola's inadequate performance.
-
40What's more disappointing is how filthy Invincible is with missed opportunities for Herzog to be Herzog.
-
40This potentially intriguing story winds up being dull and at times faintly silly.
-
25It's depressing to see how far Herzog has fallen.
-
20The predominantly amateur cast is painful to watch, so stilted and unconvincing are the performances. Poor Roth has nobody to play against and flounders in trying to keep the ship upright. Herzog aims for a kind of operatic sweep that he fails to achieve.
prev
next
Page:
- 1
User Score
tbd
No user score yet- Awaiting 1 more rating
User score distribution:
-
Positive: 1 out of 1
-
Mixed: 0 out of 1
-
Negative: 0 out of 1
-
CharlieD.9Enthralling. Nothing phony here.