Metascore
77

Generally favorable reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 24 out of 28
  2. Negative: 1 out of 28
  1. Reviewed by: Carla Meyer
    100
    Lone Scherfig, the writer-director, has made a film so unabashedly hopeful that it actually makes the heart soar. Yes, soar.
  2. A delicious and delicately funny look at the residents of a Copenhagen neighborhood coping with the befuddling complications life tosses at them.
  3. Reviewed by: David Ansen
    90
    Scherfig and her wonderful cast slyly transmute the quotidian into the magical. It’s like watching flowers bloom in a concrete garden.
  4. Reviewed by: Richard Schickel
    90
    The sober wit of this comedy arises not from conventional artifice -- snappy dialogue, wacky situations -- but from a realistically drawn ensemble interacting truthfully with one another.
  5. This is a woman's work in the best sense -- empathetic, inferentially erotic and delicately intuitive, as well as fiercely intelligent.
  6. This is a movie that doesn't depend for its effects on star performers or stylized wish-fulfillment sexuality but on realism, sharp observation and honest humor.
  7. It's the rare film, Dogma or otherwise, that keeps you smiling long after the lights come up.
  8. Reviewed by: Jay Carr
    88
    It's the kind of romantic comedy that doesn't cheapen the word ''heartwarming.''
  9. Reviewed by: Don Irvine
    88
    Unlike Hollywood's starting point of hopelessly beautiful and yet inexplicably unentangled principal characters, Italian For Beginners'raw material is something of a more dirty-fingernail variety.
  10. 88
    Italian for Beginners, on its own small scale, is a one-of-a-kind movie: a baggy-pants spiritual comedy.
  11. 80
    With its ludicrous parallels and brisk, funny script (pardon my provincialism, but it sounds all the funnier in Danish), Italian for Beginners is full of larky charm while drawing its emotional vitality from urban loneliness.
  12. 80
    These melancholy Danes create something sweetly sexy, funny and touching.
  13. 80
    A funny, relationship-driven ensemble piece that takes the chill out of the Danish winter with a snuggly blanket of humanism.
  14. As they stumble, bumble and fumble their way to love, they get more charming by the minute. Which makes them more interesting than Hollywood-style characters, anyway.
  15. Reviewed by: Ann Hornaday
    80
    It's all done without special effects, soaring strings or manufactured sentiment. Now, that's entertainment.
  16. 75
    The film only wants to amuse. It's a reminder that Dogma films need not involve pathetic characters tormented by the misuse of their genitalia, but can simply want to have a little fun.
  17. Its low-key charm shows that Dogma filmmakers have yet to run out of ideas.
  18. 75
    Dogme films don't have to be bleak to be effective. They can be -- imagine! -- fun. Scherfig may have taken the discipline in an entirely new and welcome direction.
  19. 75
    Has a generosity of spirit and a wonderfully upbeat ending that makes it a nice little antidote to a bleak season.
  20. Reviewed by: Claudia Puig
    75
    This charming but slight tale has warmth, wit and interesting characters compassionately portrayed.
  21. 75
    An engaging romantic comedy that would have been better if the audience wasn't constantly being distracted by mediocre video quality and jerky camera movements.
  22. 70
    Sweet-natured and likable to a fault, the film studiously avoids confronting the darker themes of death and religion that bubble up from its story, no matter how central they are to the characters' lives.
  23. Reviewed by: Eddie Cockrell
    70
    The most nonconfrontational and thus accessible title in the Dogma lot to date, and will speak the international language of proletariat love to arthouse auds who go for such fare.
  24. Will be of interest for anyone seeking unconventional romantic stories as well as those curious about the development of the Dogme movement.
  25. To see this much austere vérité atmosphere propping up this much schlock romanticism is like biting into a blue-cheese canapé that turns out to be a fluffernutter.
  26. While the film shuns the glamour or glitz that an American movie might demand, Scherfig tosses us a romantic scenario that is just as simplistic as a Hollywood production.
  27. Despite its hip, off-center style and pointed de-glamorization of its singles, the movie adds up to little more than feel-good fluff.
  28. Reviewed by: Steve Simels
    30
    None of this is any more fun as it sounds -- the cancer ward scenes are truly disturbing -- but to be fair, writer/director Lone Scherfeg (the first woman to make a Dogme 95 film) manages some black-humored laughs.

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