Metascore

Mixed or average reviews - based on 42 Critics What's this?

User Score

Generally favorable reviews- based on 152 Ratings

  • Summary: J. Edgar explores the public and private life of one of the most powerful, controversial and enigmatic figures of the 20th century. As the face of law enforcement in America for almost fifty years, J. Edgar Hoover was feared and admired, reviled and revered. But behind closed doors, he held secrets that would have destroyed his image, his career and his life. (Warner Bros. Pictures)
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Score distribution:
  1. Positive: 24 out of 42
  2. Negative: 4 out of 42
  1. Reviewed by: Kenneth Turan
    Nov 8, 2011
    90
    J. Edgar is a somber, enigmatic, darkly fascinating tale, and how could it be otherwise?
  2. Reviewed by: J.R. Jones
    Nov 10, 2011
    80
    The one mystery Black and Eastwood can't solve is Hoover's love life - perhaps because the solution is too simple to be believed.
  3. Reviewed by: Nick de Semlyen
    Jan 16, 2012
    60
    A well acted but unfocused study of one of the 20th century's most colourful characters.
  4. Reviewed by: Ann Hornaday
    Nov 9, 2011
    38
    All of it makes for a rollicking, outsize tale of overweening ambition and palace intrigue, but J. Edgar instead plays it safe in a turgid, back-and-forth series of tableaux that look as if they were filmed from behind a scrim soaked in weak tea.

See all 42 Critic Reviews

Score distribution:
  1. Positive: 31 out of 54
  2. Negative: 10 out of 54
  1. 10
    Awesome movie! DiCaprio needs to get that Oscar already!!! Ordinary critics didn't understand it because of the many narrative and time shifts but this film is a gem. Expand
  2. Perhaps quite an anticipated biographical film, J. Edgar tells the story of, at the time, "the second most powerful man in America", FBI director J. Edgar Hoover.
    Leonardo DiCaprio gives a masterful performance as the ruthless lawman, who's unquestioned part in the growth of crime fighting helped to solidify his status as the birth of modern policing technology.
    J.Edgar is told in non-linear fashion, it jumps throughout the film, focusing on Hoovers later years as he is telling the story and going right back to 1919 during his rise in the Bureau.
    This is very much a tale of how Hoover appeared to influence and maintain his public image as the face of the Bureau of Investigation, his awkward and consistently questioned homosexual relationship with his longtime assistant Clyde Tolson, played confidently by Armie Hammer. We see Hoover's attempts to increase the funds for the FBI in an attempt to detain criminals through concrete evidence, the introduction of fingerprint databases and forensic laboratories.
    DiCaprio, along with director Clint Eastwood, have created Hoover in a brilliantly diverse image of intimidation, isolation, but most of all, an undying will to get what he wants. DiCaprio's delivery of Hoovers confident speaking and his tactics to appear better than the rest, are truly some of the best parts of the film, and defining moments in DiCaprio's career.
    The inclusion of various notable political figures throughout Hoover's expansive career make appearances including Richard Nixon and Bobby Kennedy, attempt to show the influence that Hoover had over these powerful people, and undoubtedly the numerous investigations after his death, which looked into his methods, including wire tapping and possession of confidential files of leading people.
    There are small things which perhaps bring the film down, the lighting is particularly concerning, perhaps they were trying to put a different feel on a film set during the Depression,, but at times its quite difficult see expressions, due to the very dim colours, the make-up used for the later stages of the characters lives is also questionable, DiCaprio's is just ok, but Armie Hammer's face looks more a severe case of a burn victim rather than an ageing man, and the film does perhaps jump to much for many to follow and hold onto its narrative.
    But overall, a truly compelling and engaging biographical drama, with a spellbindingly powerhouse performance from Leonardo DiCaprio, and excellent supporting roles from Naomi Watts, Judi Dench and the excellent Armie Hammer, J.Edgar might just be excellent craftsmanship of how one man can rise the ranks, and Eastwood has created a man not many fully understand, but who unquestionably remains historic in more ways than one.
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  3. Unfortunately, a bit of a snoozer. The movie is well-acted and nicely photographed. The movie's story never takes off. Why should we care about J. Edgar Hoover? I don't know - I care less about him no than before I saw the film. Hoover was a man of secrets with few friends and perhaps that is why there seems so little to tell. Expand
  4. This is a mostly boring film about a man who (if you can believe the film) didn't have a life. Just because the man had a lot of power over a long time doesn't make him a good subject for a dramatic film. The makeup job on the character Clyde Tolson in old age was rather grotesque. Expand

See all 54 User Reviews

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