User Score
5.8

Mixed or average reviews- based on 5 Ratings

User score distribution:
  1. Positive: 2 out of 5
  2. Negative: 1 out of 5

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  1. Oct 20, 2012
    5
    Starts off absorbing, band interactions are interesting. But second half is a bore and utterly predictable. Should have let Breslin solo, rather than spend so much time on Nivola's dreary narcissistic monotones. Shue's role could have been developed more, especially her relationship to her daughter. Instead, the ending just doesn't ring true.
  2. Oct 5, 2014
    8
    Seeing movies back to back on a plane is always interesting. The context can totally shift the tone of a film. Watched JANIE JONES, a lovely small indie that just feels so right and so right now, capturing the ebb and flow of contemporary life. The film doesn't break any new territory but as a character study it surprises in so many ways. Both Abigail Breslin and Alessandro Nivola are pitch perfect and even every small role from Elizabeth Shue to one of my favorites Peter Stormare, just rings right. An eloquent complex work that really surprised me! Expand
Metascore
52

Mixed or average reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 6 out of 16
  2. Negative: 1 out of 16
  1. Reviewed by: Ann Hornaday
    Nov 10, 2011
    63
    Nivola and Breslin make a terrific mismatched pair in a film that often resembles a mash-up of "Crazy Heart" and Sofia Coppola's "Somewhere," which may account for why it too often feels derivative and contrived.
  2. Reviewed by: Tom Russo
    Nov 10, 2011
    50
    The actors also acquit themselves well singing the film's numerous tunes. Breslin's voice is pleasantly melodic, while Nivola sounds like someone who's been grinding it out on tour for years.
  3. Reviewed by: Robert Abele
    Nov 6, 2011
    50
    Janie Jones is ultimately its own uneven tune, a mixture of discordant notes and way-too-familiar chords.