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Generally favorable reviews - based on 30 Critics What's this?

User Score

Generally favorable reviews- based on 11 Ratings

Score distribution:
  1. Positive: 23 out of 30
  2. Negative: 1 out of 30
  1. Reviewed by: Ken Fox
    88
    Lawrence delves deep into the moral dilemma at the heart of Carver's deceptively simple tale. By deliberately making the young woman in the river aboriginal, the film also opens up yet another dimension in the reaction to the men's inaction: Would they have acted any differently had the murder victim been white?
  2. Reviewed by: Megan Lehmann
    80
    The same organic characterizations that marked Lawrence's acclaimed 2001 film "Lantana" will attract fans of strong adult drama.
  3. Reviewed by: Sam Toy
    60
    A great idea is weighed down by an over-egged screenplay, but the setting and cast bring out its best.
  4. 25
    A depressing and tedious movie.

See all 30 Critic Reviews

Score distribution:
  1. Positive: 3 out of 5
  2. Negative: 1 out of 5
  1. MichaelL.
    9
    A deeply compelling yet deceptively disturbing meditation on the uncertain morality that can reside in all of us when confronted with a situation of unordinary and horrendous proportions. It's "What would you do?" plotline builds to a quietly powerful climax that had me paralyzed in the darkened theater long after the closing title sequence had ended. Expand
  2. MM
    9
    A lovely take on ambivalence and the delicate balance among human beings. Linney and Byrne, and the child actors, are excellent and the setting is often spectacular. Although at times it seemed a little long, I would readily watch it over again. Expand
  3. Crossoverman
    9
    One of the great Australian films of all time. This fleshes out Raymond Carver's story in a complex and complicated way, layering in themes of race and childhood amongst the very strong story about men and women and how they deal with emotion. Incredible. Expand
  4. MichaelE.
    4
    First the good: we get a typically strong performance by Laura Linney . Some of the scenes are good, but it takes most of the movie before we get anything like a sense of drama between the chaarcters. I've seen some people complain about the photography (all in natural light), but that is actually one of the film's true charms. The subplot about racism is heavy-handed and obvious, a far deviation from the Carver source material that hurts the story instead of adding to it. The film has to be jammed with padding to make a full two hours and some of this padding, like the lingering shots of the Australian countryside (which could be interpreted as sentimental, also working against the film's points) is painfully obvious. Jindabyne certainly does not compare favorably with the version in Robert Altman's Short Cuts from 13 years ago. Some of the scenes exist in both versions, and those analog scenes in Jindabyne are far too similar to the original. Somehow I doubt we'll be talking about this one in a year. Expand

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