- Studio: Image Entertainment
- Release Date: Feb 25, 2000
- Critic Score
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100Tightly constructed and controlled.
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100It isn't often that lives of quiet desperation are served up with such pearly restraint.
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100Some movies are too good to miss. Judy Berlin is one of them...It works like magic.
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91Haunting and hopeful.
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90An almost perfectly realized poetic vision of people who continue in their everyday existence certain that life in a larger sense has passed them by.
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90Where "American Beauty" was smug and obvious in its dissection of suburban life, Judy Berlin is hilarious, heartbreaking and -- in its graciousness -- unlike any American film we've seen in a long time.
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90A comedy of the most delicately balanced perfection.
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88Beautiful little film.
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85Captures the emptiness of small-time lives as evocatively as Peter Bogdonavich's "Last Picture Show."
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80Philosophy imbues this inescapably self-reflexive movie with a rare compassion.
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80Etched with sensitivity and wit, above all with an unpatronizing compassion for ordinary people going about their business on an extraordinary day.
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80Unlikely to draw the audience it deserves, but those who do see it will have a hard time shaking its gentle, ghostly echoes.
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80Something to get excited about.
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78A gorgeously crafted love poem.
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75Strikingly original movie.
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75Its leisurely pace and surreal poetry won't break box-office records, but will surely serve to introduce Mendelsohn as a major new talent.
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75Laced with magic-realist bittersweetness.
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75With skill and also with love, writer-director Eric Mendelsohn creates a delicate and airy mood, a kind of cinematic haiku.
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75Broadway-sized performances.
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75Possesses moments of fleeting grace, pathos and beauty, even if it ultimately doesn't amount to much.
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70A gentle, offbeat drama that hails the arrival of a new talent in writer-director Eric Mendelsohn, and bids a poignant farewell to a uniquely gifted actress, the late Madeline Kahn.
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70Gorgeous, mesmerizing, and stunningly well acted.
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70Numerous lovely, quirky moments.
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63Boasts several fine performances and some elegant, eerie black-and- white photography.
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60Mendelsohn's fusion of science fiction and Chekhovian melancholy finds a fresh perspective on a familiar theme.
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50A bit precious, ultimately wearisome.
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50Like "American Beauty" without the fangs - or the magic.
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50Arch yet earnest.
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50More of a moody performance piece than a film.
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40The film is one-note; misery is the only game in town.
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