- Studio: Magnolia Pictures
- Release Date: May 8, 2009
- Critic Score
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100Tilda Swinton hasn't often been more fascinating than in Julia, a nerve-wracking thriller with a twisty plot and startling realism.
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91In tone and plot, Julia often resembles an extended episode of the AMC series "Breaking Bad"--except that Swinton's character is never NOT bad.
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88Charles Bukowski would have loved this foul-mouthed, fiery, reckless woman. Against all odds and common sense, you will, too.
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As Julia, Swinton belongs to that league of great cinematic alcoholics such as Jack Lemmon and Lee Remick in "Days of Wine and Roses" and Ray Milland in "The Lost Weekend." As an action character, she naturally evokes Gena Rowlands without ever trying to resemble her.
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80Ms. Swinton demands to be seen even when her character is on a self-annihilating bender so real that you can almost smell the stink rising off her. So I sat in my seat, cursed the screen and was grateful to watch an actress at the height of her expressive power claw toward greatness.
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75Goes to all the places a sensitive character study might have gone, but more dramatically, convincingly and vividly.
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75The movie's electrifying without being completely satisfying. Zonca and his star don't play by Hollywood rules, which is both good (keeps us off-balance) and less so (at times the film doesn't seem sure where it's going).
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67This overlong, lurchy homage to John Cassavetes' 1980 film "Gloria" is a mess, but a fascinating one, given Swinton's desperately avid performance in the title role.
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Tilda Swinton doesn't merely act the title role in French director Erick Zonca's Julia--she devours it, spits it back up, dances giddily upon it, twirls it in the air.
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42Swinton's performance, and practically everything else about Julia, seems off – tone-deaf. She plays an out-of-control wastrel who enters into a kidnapping scheme gone horribly wrong, as does the movie.
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As Julia struggles to survive her bad decisions, the film struggles to survive Julia. We never get a good look at her demons, just the havoc they wreak.
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40The miscalculated and overlong Julia proves a startling misfire for "The Dreamlife of Angels" writer-helmer Erick Zonca and dependably fearless actress Tilda Swinton.
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38Picture "Fargo" played with no sense of comedy, and you'll get some idea of the absurdity of this drunken floozy, clicking and wobbling on high heels, often with bits of her anatomy hanging out, trying to pull off the perfect crime.
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20The end result is like Quentin Tarantino reworking a Charles Bukowski story.
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User score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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stepheng10I was memorized by Swinton's devasting performance from start to finish. Tilda does deserve an Oscar for this!
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JayH7
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BrentA10