- Studio: Independent Pictures (III)
- Release Date: Oct 15, 1999
- Critic Score
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90Not a film for everyone. And though I deeply admire it, it's not a film that even I want to see again in the immediate future.
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88Feels like it could go blow up at any time. It implodes instead, and the meltdown, though visible in one of the final sequences, is still corrosive.
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83Korine remains unnecessarily smitten with sordidness, and there's plenty of it here.
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80A film of piercing beauty and pain.
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80The movie is truly an open text--its generous poetry inspires free association rather than predictable emotion.
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75It seems at first to be merely a jumble of discordant images ("Freaks" shot by the "Blair Witch" crew) but then, if you stay with it, the pattern emerges from the jumble.
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75Korine confirms his reputation as one of today's most experimentally minded filmmakers, helped by an inventive cast including German director Herzog in a surprisingly strong performance as the father.
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70Looks like no other recent release...certainly rich enough to warrant more than one viewing.
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63I'd never seen anything like it, and can say that I hope to never see anything like it again.
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63At its best, it will impale you on its raw urgency. At other times, it's a slog through long improvisations that never achieve dramatic liftoff.
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60Undeniably interesting, but not entirely successful.
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60The stranger and more unusual the characters, and the less they're explained, the better.
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58Often unsettlingly funny, though it ultimately recedes into a dark womb of despair.
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55Writer-director Harmony Korine seems more interested in churning your stomach than in warming your heart.
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50In his quest to capture truth and honesty, (Korine) has made a movie that is practically impossible to like.
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40Julien may be a donkey-boy but it's Harmony Korine, this film's director, who is a horse's ass.
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40The filmmaker brings the audience to a precipice of discomfort, implying that the discomfort is itself the point.
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40Rung with numb inarticulateness.
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The territory where the circus sideshow meets the avant-garde...visually arresting, dramatically blurry.
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30A handheld and grainy exercise in cine-stupefaction...too spastic to connect...the movie just flails the air.
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25Sucker bait for the sort of credulous cinast who'll buy anything ugly and boring that looks like it's avant-garde...rancid stew of cheap shocks, sleaze and phony artiness.
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25A self-indulgent mess.
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20Juvenile and pointless.
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User score distribution:
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Positive: 3 out of 4
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Mixed: 0 out of 4
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Negative: 1 out of 4
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