Metascore
83

Universal acclaim - based on 42 Critics

Critic score distribution:
  1. Positive: 37 out of 42
  2. Negative: 1 out of 42
  1. A compendium of really neat stuff and nifty sequences, and it will just have to do until Vol. 3 or reunification comes along.
  2. 100
    If Kill Bill Vol. 1 was bloody exhilarating, Vol. 2 is bloody great. And, as a bonus, not nearly so bloody.
  3. Reviewed by: Ty Burr
    100
    The result is insanely good, and the best time I've had at the movies in ages.
  4. 90
    This installment delivers more of the pleasures that made Tarantino the wunderkind of 90s cinema: offbeat scumbag characters, narrative sleight of hand, an extraordinary visual sense, and affectionate genre pillaging.
  5. 100
    Put the two parts together, and Tarantino has made a masterful saga that celebrates the martial arts genre while kidding it, loving it, and transcending it.
  6. 63
    For those seeking the vibrant innovation of Tarantino's first movies or the sheer rush of "Kill Bill, Vol. 1," Vol. 2 feels like a dulled blade.
  7. Tarantino has always been an inventive director, and in Kill Bill: Vol. 2 he's at his cinematic best, showing an ingenuity that nothing in his monster hit "Pulp Fiction" surpasses.
  8. The first Kill Bill was nothing but violence--swordfight upon swordfight, till the clanking of steel blades drowned out anything anyone said. The second is its emotional counterpart, the heart without all the blood drained from it.
  9. Reviewed by: Mark Dinning
    60
    As it is, it’s an aloof conclusion, an unclimactic climax to a stand-alone film.
  10. There's no denying that when it comes to communicating a certain delirious romanticism of character shaped by thousands of hours spent sitting in the dark, the artist who made this showpiece is a master.
  11. 100
    "Kill Bill Vol. 1" was a pure action movie, in love with collisions of violent movement. “Vol. 2” relaxes the pace, allowing for extended monologues. Those who lamented the first film's lack of wicked word exchanges should delight in Carradine's final soliloquy.
  12. 100
    "Kill Bill Vol. 1" was a pure action movie, in love with collisions of violent movement. “Vol. 2” relaxes the pace, allowing for extended monologues. Those who lamented the first film's lack of wicked word exchanges should delight in Carradine's final soliloquy.
  13. Reviewed by: Chris Barsanti
    60
    “Volume Two” is what they call a movie-lover’s movie, in that it’s replete with references to just about everything a cinema geek would appreciate.
  14. 90
    Vol. 2 is the most sheerly enjoyable movie I've seen in ages, allowing for all the intimacy that was missing from its predecessor -- this time, the violence feels PERSONAL. Yet this film, too, would be richer if it didn't stand alone, but rather were part of one grand grind-house epic.
  15. Few filmmakers love movies as intensely; fewer still have the ability to remind us why we fell for movies in the first place.
  16. 63
    Vol. 2 isn't exactly disappointing, and like all of Tarantino's movies, I suspect it will improve with repeated viewings. But for now, Vol. 2 leaves you pondering what could have been.
  17. All this frenzy, all these "quotes" from other movies, and yet Vol. 2 is strangely static - a dulling experience that can safely be admired from afar without it ever engaging the senses.
  18. I don't mean to unduly target Kill Bill Vol. 2 --it's certainly no worse than most of the blam-blam fare out there. But what I crave now are movies that speak to me in a different way about violence, that acknowledge the fact that real people are harmed.
  19. 88
    Vol. 2 isn't anywhere near as self-indulgent as its predecessor, but it still plays like the work of a man too in love with his creations to decide which of his darlings to kill - so he ended up with merely a very good movie.
  20. Reviewed by: David Ansen
    100
    A piece of spectacular silliness, but that's not meant with disrespect. The key word is spectacular.
  21. It is the more satisfying of the two installments - less over-the-top, arterial-gushing violence and more investigation into character, motives, back-story.
  22. Reviewed by: Karen Karbo
    100
    While Tarantino's famous fight sequences are grisly, funny and genuinely entertaining, his love scenes are so tender, so fraught, you fear for the safety of your own heart.
  23. Reviewed by: Glenn Kenny
    100
    This is a movie of head-spinning richness.
  24. 75
    As it currently stands, Kill Bill is a victim of its director's ego and its distributor's greed. The moments of greatness make it worth seeing, and there's certainly plenty of entertainment to be found here, but it's hard not to lament what might have been.
  25. 100
    You'll thrill to the action, savor the tasty dialogue and laugh like bloody hell.
  26. 80
    There's no doubt that Kill Bill is an epic, and no doubt of the skill that's often apparent. But what it leaves us with is awesomely trivial.
  27. All [Tarantino] has to do is trim a full hour out of "Vol. 1" and a half hour out of Vol. 2, combine what's left and he'll have something not just amusing and idiosyncratic, but outstanding.
  28. In its defense, I can only say that, technically, it's an exhilarating piece of filmmaking; it offers a commanding comeback role for Carradine, and it serves as a summation, dead end and, perhaps, epitaph, for Tarantino's unique contribution to world cinema.
  29. Reviewed by: David Edelstein
    80
    For all its relative subtlety, Kill Bill, Vol. 2 remains a cartoon: Its wit is broadsword rather than rapier, and its motives are elemental. The banter is second-tier Tarantino: a cut above his imitators, but below the standard set by "Pulp Fiction" and "Jackie Brown."
  30. 100
    The film succeeds by expertly melding the two stages of Tarantino's career. The rambling Tarantino of "Jackie Brown" and "Pulp Fiction" is evident in every lovingly crafted and delivered monologue, each leisurely paced scene and long take. The more action-oriented, fight-intensive Tarantino reappears in the viscerally exciting bursts of ultra-violence that punctuate the stretches of dialogue.
  31. So much cinematic majesty perched precariously atop so little common sense. But, hell, maybe Quentin's right; relax, enjoy -- a castle with a shaky foundation is still quite a sight.
  32. Kill Bill-Vol. 2 puts to shame doubts entertained about aesthetic strategies or structural imbalance provoked by "Kill Bill-Vol. 1." Now that the entirety of Quentin Tarantino's epic revenge melodrama is on view, "Kill Bill" emerges as a brilliant, invigorating work, one to muse over for years to come.
  33. 100
    The most voluptuous comic-book movie ever made.
  34. 40
    A shapeless mess, but at least it’s not as monotonous as “Kill Bill Vol. 1.” [19 & 26 April 2004, p. 202]
  35. Reviewed by: Richard Corliss
    90
    This being a Tarantino film, the conversations are as long and lurid and finely choreographed as the martial-arts set pieces.
  36. 80
    Tarantino maintains a flawless balance between flat-out action, quirky dialogue, stylish homages to the glistening shadows of film-noir thrillers, the sun-baked brutality of Westerns (American and Italian), the ritualistic rhythms of Shaw Brothers martial-arts pictures from the 1970s and quietly dramatic moments, shifting between them with quicksilver facility.
  37. Reviewed by: Mike Clark
    88
    Bout No. 2 is among the best closed-quarters screen fights ever, as good as (and longer than) Frank Sinatra vs. Henry Silva in The Manchurian Candidate. And Hannah does more for an eyepatch than anyone since the late Israeli defense minister Moshe Dayan.
  38. Reviewed by: Todd McCarthy
    100
    Originally conceived as one film, the two-parter that has finally emerged can now be seen as a truly epic work.
  39. 70
    What's surprising is the atmosphere of sweet reason--elatively speaking--that distinguishes Kill Bill Vol. 2 from its bloody precursor.
  40. Here's an entertainment to warm the heart of anyone who grew up (or failed to) on the formative joys of action movies.
  41. It's a comic book at heart, albeit a thoroughly, grandly romantic one in the end.
  42. 30
    Watching Thurman's character "triumph" in a context as joyless and self-referential as Tarantino's is a soul-deadening experience, one that over two hours takes on the same dreary monotone as the cheapest pornography.
User Score
7.9

Generally favorable reviews- based on 519 Ratings

User score distribution:
  1. Negative: 34 out of 190
  1. Oct 7, 2011
    10
    Amazing movie, director and actors. All the characters are interresting, the action scenes are awesome, and Taratino knows how to surprisesAmazing movie, director and actors. All the characters are interresting, the action scenes are awesome, and Taratino knows how to surprises the viewer. A reference. Full Review »
  2. Sep 21, 2011
    5
    Slightly cleaner and organized than its prequel, but nevertheless its a messy film.
  3. May 7, 2013
    10
    It's bigger, deadlier and much much better than Volume 1, which in itself was a fantastic film, but Kill Bill Volume 2 delivers a sucker punchIt's bigger, deadlier and much much better than Volume 1, which in itself was a fantastic film, but Kill Bill Volume 2 delivers a sucker punch in dramatic storytelling with wonderful homages to martial arts films of yesteryear, and this was mastered without there being as much action as the first.
    Right off the mark, we need to remember that this is a continuation, that these two films were supposed to be one, so to recap, The Bride (Uma Thurman) is on a revenge mission to hunt out those who betrayed her, former colleagues of the Deadly Viper Assassination Squad, led by Bill (Dennis Carradine).
    This time around we meet Budd (Michael Madsen) who is now living in a trashed out trailer and getting by as a bouncer, until The Bride shows up. We are also reintroduced to Elle Driver, the one-eyed assassin from the previous instalment, with a much bigger part to play this time around.
    Volume 2 confidently ties up all the loose ends of the first outing, the story is broader in scope to allow more of a human touch to the colourful proceedings, but still using past films to capture the true nature of the story.
    While not as violent as the original, there is much more dialogue in Volume 2, the fact that the whole 'saga' is in fact one film shows true balance to the story, The Bride at first is full of hatred and revenge, but now realises she has almost reached the end of the road, and this makes for much more interesting and intriguing scenes with The Bride and of course, Bill.
    Quentin Tarantino has now proved his ability to tell a compelling story through various body movements and the art of filmmaking and creating the perfect scene to capture that one defining moment, and that is where the cinematography exceeds in every level in this film.
    Uma Thurman delivers another driven performance as The Bride, and yes, her real name is revealed in the film. Her continuing motivation to capture the essence of a character is what makes her a suitable lead, something which will always leave a lasting effect. Dennis Carradine is typically charming yet deadly as Bill, his references to comic books and how superheroes reflect human nature is genius, and shows the powerful dialogue that Tarantino can create.
    The action scenes still do exist, while not is colourful, they are certainly memorable and beautiful to watch.
    my advice is to sit and watch these two films as a whole, and to receive a true masterclass in filmmaking and how to put across a simple story for everyone else to be interested in.
    Full Review »