- Studio: Balcony Releasing
- Release Date: Oct 12, 2007
- Critic Score
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91Aaron Woolf's we-are-what-we-eat documentary King Corn is a lively introduction to the corn industrial complex.
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88A breezy diary from a pair of first-time farmers, as well as a wry rebuke to a nation devoted to eating cheaply but not necessarily well, King Corn makes its points without much finger-wagging.
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83The film always teaches and entertains in equal, ample measure. It's a treat -- and it's good for you.
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78The film’s light hand, appealing style, and simple exposition make it an eminently watchable inquiry into the politics of food and public health, accessible to the documentary-shy and wildly appropriate for older kids, who may further respond to its generational emphasis.
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75Neatly, and often humorously, summarizes a very unhealthy situation.
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75It's fair to say that a meaner documentary might have packed more punch. But it's hard to imagine Michael Moore turning out anything that feels as pleasantly nourishing.
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70A very creative documentary that takes a seemingly dull topic and makes it entertaining.
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70Thankfully, this information arrives via a graceful and frequently humorous film that captures the idiosyncrasies of its characters and never hectors.
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King Corn will put you off corn for a long, long time, but this is as much a thoughtful meditation on the plight of the American farmer as it is a rant against our expanding waistlines.
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70No doubt inspired to some degree by "Super Size Me," this equally engaging, slightly better-crafted documentary deftly balances humor and insight.
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70It should be required viewing before going into a supermarket, McDonald's or your very own refrigerator.
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70In this 2006 entry the insights are worthwhile.
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63Homey but not especially interesting trips down the Ellis and Cheney family lanes.
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King Corn is entertaining enough, but it's also a moral, crucially skeptical road trip down the food chain.
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Mr. Cheney and Mr. Ellis are so pleasantly nondescript that they make no particular impression. As a result, all the time spent on autobiographical detail and personal banter hampers the film’s urgency, and plays like an awkward attempt to justify a format that the filmmakers are too self-effacing to exploit.
User score distribution:
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Mixed: 1 out of 4
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FloydH.10
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RobertB.5
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JayH.7