User Score

Generally favorable reviews- based on 323 Ratings

User score distribution:
  1. Negative: 83 out of 323

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  1. Jul 19, 2011
    I thought this movie was amazing, the best I've seen in a while. The plotline was cool and the special effects were amazing. Nicolas cage and Rose Byrne were awesome in it. I can't believe how some people didn't like this movie.
  2. Sep 25, 2010
    The film starts out as a sort of silly cliché idea about the ability to see the future. It expands into so much more, though. Everything throughout is intense and well-designed. The dialogue is nothing to write home about, but the actual characters are very human. You never know what is going to happen next, despite the inevitable being made pretty obvious with the whole "code-that-forsees-disasters" thing. The best thing about the film is its philosophical parts. Much of its story is very symbolic of Biblical tales. By no means is it preachy, but it certainly provides ideologically sensitive material. Overall, this film is not perfect, but its unique journey through humanity and their reaction to the impending end of the world is brilliant. Expand
  3. Aug 18, 2010
    Analisado com o devido escrutinio e bom-senso, o enredo focado no debate sobre a regencia do Universo pelo determinismo ou pela aleatoriedade carece de sentido. Isso pouco importa ante a precisao com a qual o responsavel pelo visionario "Cidade das Sombras" manipula nossas expectativas, sujeitando-nos a visoes aterrorizantes de catastrofes misteriosamente profetizadas, que eclodem na tela de maneira inesperada. Entre cada sequencia de destruicao, e mantida uma atmosfera de inevitabilidade, misterio e ameaça, fazendo com que nenhum segmento da narrativa esmoreca em folego. Cliches flagrantes como o relacionamento complicado entre o pai viuvo (Cage) e seu filhinho precoce adquirem verossimilhanca gracas ao texto bem lapidado. "Pressagio" alcanca estados sublimes de imageria sci-fi em seu derradeiro ato, consolidando Proyas como o midas do genero desde que se lancou em meados dos anos 90. Expand
  4. Sep 19, 2010
    This review contains spoilers, click expand to view. The movie starts up as an interesting story, how the professor, Cage, discovers the true story about the letter. It gets kind-a creepy when the "men in black" enter the scene. It uses the normal cliches to create unneeded tension, AKA "mysterious men who disappear when you look back" and so on.
    The story keeps going down slowly through the film, but it isn't a bad film to watch.
    Just remember that this is not the "ultimate" film you will remember after years have past.
    Or you might remember the end. It just plain sucked. Yea.
  5. Nov 26, 2010
    Awesome film!! They did a great job of mixing Religion and science together. It is very rare for anyone to tell a story of these two coexisting but yet, this movie did! Just awesome! Ending was very satisfying and it did not let you down like most films do.
  6. Jan 12, 2013
    Made by the Mayas to warn us of the impeding doom, or was it by Summit entertainment to empty our pockets? All joking aside, this exellent doomsday film looks gorgeous in nice desaturated sephia-like tones with razor sharp imagery captured on the RED One camera. The film does take some time to get going but it's well acted (by Mr.Cage), has a brooding atmosphere and a satisfying ending. One of the better Alex Proyas films! Expand
  7. Sep 7, 2014
    " The numbers are the key to everything." - John Koestler

    This movie is one of the best movies i ever seen. Special effects are ok but the story I liked the most.

Mixed or average reviews - based on 27 Critics

Critic score distribution:
  1. Positive: 4 out of 27
  2. Negative: 11 out of 27
  1. 50
    Science fiction fans will feel gypped, disaster movie fans will appreciate about 10 minutes of screen time and be bored by the rest, and no one else will care.
  2. 100
    Knowing is among the best science-fiction films I've seen -- frightening, suspenseful, intelligent and, when it needs to be, rather awesome.
  3. Reviewed by: Jim Ridley
    What would a Christian Apocalypse movie look like with a big budget, a talented director, and star power of higher wattage than a discount Baldwin brother? Here comes the answer: like a glum hybrid of the "Final Destination" movies, an Irwin Allen disaster bash, and the kitschiest parts of Darren Aronofsky's "The Fountain."