- Studio: Cowboy Booking International
- Release Date: Apr 13, 2001
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83The most pure of Mamet's works to come to the screen.
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80Mr. Mantegna, who as an actor is one of the leading interpreters of Mr. Mamet's work, gives generous room to the movie's first-rate ensemble.
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75Mantegna gives us just enough detail, enough exterior shots, so that we feel we're on a ship. All the rest is conversation and idleness. The lake boat is a lot like life.
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75A must-see for Mamet fans.
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75It works for the most part, though some scenes come off contrived or directed without flavor. But thanks to the likable, rough-hewn crew and Forster, the film flows along gruffly and with eloquence.
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70Beautiful moments of performance such as Forster's subtly spellbinding monologues -- make for compelling cinema.
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70Mamet's fixation on language is, nonetheless, more effective onstage than onscreen, where the technical and visual requirements distract from the sounds of the words -- the heart of Mamet's work.
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70Forster is the reason that even non-Mamet-heads might consider giving Lakeboat a shot. It's worth it just to see him in his long one-take exchange with Johnston about booze, but he's remarkable throughout.
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63Students of acting will appreciate the relish with which the characters bite off juicy chunks of dialogue.
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63Though Mantegna can't quite lick the essential staginess of Mamet's adaptation of his play, even with lots of scenic shots of Lake Ontario, the performances are what one would expect with such a consummate actor in charge.
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63Feels a bit flat and underdeveloped.
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60Brought to the screen awkwardly but ardently by Mamet-actor supreme Joe Mantegna in his feature-directing debut.
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60Forster not only makes this unlikely story emotionally believable, he moves you to tears. Lakeboat isn't much of a film, but for Forster fans, it's indispensable.
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50Though this film shows flashes of the electric writer Mamet was to become, Lakeboat is mostly distant thunder over choppy waters.
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50Film feels like a parody of Mamet mannerisms, and the trouble lies with the play, which Mamet first penned some 25 years for an Actors Equity showcase.
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50Lakeboat requires its audiences to embrace it as lovingly as Mamet and Mantegna embrace its men, but it's a lot to ask.
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40The most striking thing here is a performance by Robert Forster, as one of the older men on the boat, that's so terrific everything else in the picture pales beside it.
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30So fractured and so awkwardly staged that end result is an uninvolving film thats dramatically inert and artistically shapeless.
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