- Studio: Shooting Gallery
- Release Date: Feb 23, 2001
- Critic Score
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100Thanks to the wonderful performances from both Korzun and Considine, there isn't a forced or dishonest moment on-screen.
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90This is the best class of poetic realism, the kind you can believe in without a trace of hesitation.
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90A huge delight.
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89Maddin's movie is, frame for frame, the densest and most spectacular (albeit cardboard-cheap) film playing anywhere.
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A film that celebrates simple human kindness. If the ending feels somewhat unsatisfying, it is perhaps because one hates to see this too-brief film end at all.
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83Moving and eerily beautiful.
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80Sweet, melancholy comedy; it's ineffable charm lies entirely in the delivery.
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80Unsatisfying at a very high level. It fritters away more than most movies ever offer up.
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80The movie's a beauty.
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80His (Pawlikowski) love story, which is by turns sensuous, charming, and uniquely moving.
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80It's a sweet and wise film - neither groundbreaking nor revolutionary save for the fact that it places narrative and character arc at the center of its concerns.
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80A hopeless romantic meets a hapless realist in this gritty, elegant drama brimming with spontaneous-seeming close-ups.
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75I like the way Last Resort ends, how it concludes its emotional journey without pretending the underlying story is over. You walk out of the theater curiously touched.
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75A slice of life in the most profound sense.
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75A little gem.
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75Quiet, finely etched and beautifully acted by Dina Korzun and the wise-beyond-his-years Artiom Strelnikov.
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75A must-see.
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75The new movie year's poignant love story to beat.
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70Pawlikowski, whose background is in documentary film, has an eye for the menacingly forlorn and elegantly bleak. Last Resort, which was shot without a script and developed largely in collaboration with the actors, is a kind of verité fantasy.
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70Though Last Resort dwells on sorrowful circumstances and illuminates a grim corner of contemporary reality, it is far from depressing.
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70Compelling, if sometimes grittily depressing, viewing.
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