Metascore
69 out of 100

Generally favorable reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 11 out of 15
  2. Negative: 0 out of 15
  1. 90
    A delight from top to bottom, packed with romance, adventure, beautifully executed swordplay and a sumptuous period look.
  2. Splendid entertainment, young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience.
  3. Movie is over-the-top but enjoyable entertainment.
  4. Great sword fights, great acting, fabulous sword fights and, of course, really cool sword fights.
  5. This is effective as straight-ahead, action-packed storytelling, losing some of its energy only in the final stretch.
  6. It revives an innocently pleasurable genre - shades of Burt Lancaster and Errol Flynn - that combines lusty adventure, humor, the great outdoors and satisfying storytelling without having to concoct it in a special-effects lab.
  7. Generally delightful, and reminiscent of two vanished ages: when men were men, and when movies were movies.
  8. A big, gorgeous, sprawling swashbuckler that delivers its diversions in grand, uncomplicated fashion.
  9. 75
    The story is a mess. But On Guard was directed by the reliable Philippe de Broca, who imbues the whole affair with high-calorie silliness.
  10. Reviewed by: Ken Fox
    70
    There's terrific chemistry between Perez and Auteuil.
  11. Mr. de Broca's film is full of durable cinematic pleasures: a little sex, a lot of sword fighting and a plot that combines heady passion with complicated political intrigue.
  12. Reviewed by: Staff (Not credited)
    60
    Consistently enjoyable, if rarely exceptional, mass entertainment.
  13. Reviewed by: Allison Benedikt
    50
    De Broca never develops the transforming love onscreen and ends up with an awkward and indigestible movie.
  14. The film is never less than lovely to gaze upon, shot in saturated colors, richly appointed in period trappings and peopled only by the very beautiful. But it is also, by its end, too silly to take seriously.
  15. de Broca's efficient fencing-mania melodrama brings little that's original to the table.