Metascore
75 out of 100

Generally favorable reviews - based on 14 Critics

Critic score distribution:
  1. Positive: 13 out of 14
  2. Negative: 0 out of 14
  1. While the young people chatter about life and literature with sometimes overbearing self-satisfaction, the astute filmmaker observes their pretentious gum-flapping with a mixture of amusement, compassion, and wised-up rue.
  2. Reviewed by: Lisa Nesselson
    90
    A movie so unrepentantly French that viewers who enjoy truly Gallic pics can start (tastefully) salivating now.
  3. 80
    Bourdieu's cast is terrific throughout. Any fellow academic brats out there will especially appreciate Jacques Bonnaffé, one of the greatest French comic actors, in an imperious turn as the severe, guru-like professor.
  4. 80
    Not for nothing did this movie open the International Critics' Week (and win its grand prize) last year at Cannes; Poison Friends may be all talk, but it's cut like an action flick.
  5. Steeped in shrewdness about the often contradictory workings of human nature, Poison Friends is gratifying in the best tradition of French cinema.
  6. It's intellectual without being dry, dramatic without bombast, smart without posturing. Its characters and milieu are very well drawn, and Andre is one of the more intriguing and convincing fictional creations in recent film.
  7. If, unlike his friends, you don't take anything Andre says seriously, there is a wicked sense of fun about it, and you may even see a little of yourself in one of the characters.
  8. 75
    Poison Friends deftly sketches the fine line - is there one? - between "critic" and "loser."
  9. 75
    This sly, subtle and very French psychological drama dissects the relationship between three insecure Sorbonne students and their deeply flawed idol.
  10. 75
    Up to the last five minutes, Poison Friends stays true to that heady, idealistic-to-a-fault world of academia.
  11. Four university students band together under the obnoxious mentorship of Andre (Thibault Vinçon), who is meant to be brilliant but, to me at least, seemed all too obviously a poseur. His betrayal of his friends deepens the movie.
  12. 70
    As a group portrait of apprentice intellectuals the film has an almost documentary accuracy. It also has a degree of energy, an appetite for strong feelings and big ideas, notably missing in American movies about the young and overeducated, which tend to specialize in mumbled ironies and tiny epiphanies.
  13. 70
    A biting academic fable about the importance of aggression over intellect.
  14. It is kept listenable--and watchable--because Bourdieu uses his knowledge of these people with winning ease. The story's conclusion verges on the grim, and it underscores Bourdieu's presumable theme: student life and talk are the last real vacations in many lives.