Generally favorable reviews - based on 41 Critics What's this?

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Generally favorable reviews- based on 645 Ratings

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Score distribution:
  1. Positive: 24 out of 41
  2. Negative: 2 out of 41
  1. Reviewed by: Joe Morgenstern
    Dec 25, 2012
    This "Les Mis" does make you feel, intensely and sometimes thrillingly, by honoring the emotional core of its source material.
  2. Reviewed by: Neil Smith
    Dec 6, 2012
    Stirring and striking, Hooper's epic musical won't be wanting for awards and plaudits. Danny Cohen's cinematography is stunning and Hathaway's Oscar is guaranteed.
  3. Reviewed by: Helen O'Hara
    Jan 7, 2013
    Occasionally, like its characters, ragged around the edges, this nevertheless rings with all the emotion and power of the source and provides a new model for the movie musical.
  4. Reviewed by: Tasha Robinson
    Dec 25, 2012
    The problem is that so little about Hooper's Les Misérables feels integrated. The cast feels like a grab bag of talented stage vets and garish stunt-casting choices, particularly Baron Cohen and Bonham Carter, who perform the fan-favorite comic number "Master Of The House" as a jerky, staccato series of show-off moves and attempted but inadequate scene-stealing.
  5. 60
    The tasteless bombardment that is Les Misérables would, under most circumstances, send audiences screaming from the theater, but the film is going to be a monster hit and award winner, and not entirely unjustly.
  6. Reviewed by: Mick LaSalle
    Dec 26, 2012
    Fans of Les Misérables wouldn't have minded if the movie were different, but better, or just as effective. The screen version demanded some reconception, some vision to make sense of its existence. Instead, we're left with a film that is conscientious in all its particulars and yet strangely and mysteriously dead.
  7. Reviewed by: Calum Marsh
    Dec 7, 2012
    One would be hard-pressed to describe this, despite the wealth of beauty on display, as anything but an ugly film, shot and cut ineptly.

See all 41 Critic Reviews

Score distribution:
  1. Negative: 18 out of 222
  1. Dec 25, 2012
    Absolutely incredible - easily matches the likes of The Hobbit, Lincoln and Zero Dark Thirty as one of the best films this year. Best musical film adaptation since Chicago. Jackman's 'Bring Him Home' is sure to go down in Les Mis history as the best since the likes of Colm Wilkinson; the same can be said for Eddie Redmayne's 'Empty Chairs', which is easily on par with the legendary Michael Ball. Surprisingly, Russell Crowe does very, very well as Javert - he's not a fantastic singer but his vocals are still very good. Stars is within the top five of the film.

    EDIT: 'CineTigre' clearly has no idea what they are talking about. Les Miserables did NOT originate as an opera, it was a French musical which was translated into English and presented on the West End in 1985. There is no 'guillotine' because that was A COMPLETELY DIFFERENT FRENCH REVOLUTION. The entirety of the main cast, other than Amanda Seyfriend and Russell Crowe, have significant experience when it comes to musical theatre, so they indeed hired singers. He/she is either a Les Mis purist who is far too clingy to the source material or a troll who is simply trying to lower the score, possibly in comparison to that *other* big christmas movie.
  2. Jan 4, 2013
    I would wholeheartedly recommend this movie to not only anyone who likes musicals, but afficionados of cinema itself. Simply breathtaking from start to finish. Expand
  3. Dec 27, 2012
    Great themes permeate the beautifully sung and brilliantly acted film version of the long-running stage show. In addition to updating the operatic form, the movie embraces its epic destiny. Instead of playing to the short attention spans of those who love the bloated excesses of Batman, or the adolescent charm of the Avengers, Les Miserables has the courage to examine just how hard it is to change anything for the better, and the redemption available for those willing to try. I have seldom been so moved by a motion picture and never by a musical. Hugh Jackman, Anne Hathaway, Eddie Redmayne, Aaron Tveit, Sacha Baron Cohen, Helena Bonham Carter and the luminous Samantha Barks shine. Cynics and those immune to the terrific score should maybe opt out. Those who can still feel their hearts beating should head to the barricades. Best film of 2012. Expand
  4. Dec 27, 2012
    Having seen the stage version multiple times, including both the original staging and 25th anniversary edition, I have anticipated the film version since announced. Overall, I was pleased with the result. The biggest negative for me is the acting of Russell Crowe as Javert. It's not that he can't sing or act. He just can't do both at the same time. His voice timbre and range are also wrong for the role. Compared to the rest the cast, Crowe just looks and sounds uncomfortable, and he rarely expresses through his face and voice the deep passion and reverence this character carries that drives his obsession across the years. Not to belabor the point, but only in rare moments did I not see Russell Crowe rather than Inspector Javert. On the other side, both Anne Hathaway and Hugh Jackman deliver as Fantine and Jean Valjean. This film version allows an intimacy that is just not possible on the stage. For me, the live singing absolutely works for nearly every performer. We get raw, emotional and heartfelt rendering of the music. Most of the changes made for the movie worked for me. I could quibble with of the director's choices for camera position and editing but for most of the movie, Les Miserables simply soars. Expand
  5. Oct 31, 2013
    The first hour was brilliant. How Jean Valjean cheats authorities and his fate time and again, and how he finds redemption in a child. It was touching, and the feeling could have lasted had not what followed would have followed. Hugh Jackman and Anne Hathaway acted with such finesse that it would take something especially non-human not to feel for them. Even the songs during this duration were better. Alas, the feeling could not last. The movie quickly degenerated into a sort of love triangle. Who could give a damn about them when we'd just been exposed to possibly one of cinema's saddest protagonists? Yet the director persists and spoils any good feeling we might have about the movie, and we are on the brink of begging him to bring Valjean back. Fortunately the tone turns serious again and the plot focussed on the revolutionaries. But the lustre from before was lost and could not be regained. Not to mention that Eddie Redmayne is the most unmanly, overrated actor today. At over two and a half hours, it leaves you deeply exhausted to your bones. I was left with a headache, which shows I didn't enjoy the movie as much as I had wanted to. I couldn't help comparing it to Sweeney Todd, which was also a musical, but didn't go over the top and kept dialogue and singing balanced. One more Best Picture nominee that in my view didn't deserve to be nominated for the category. Expand
  6. Dec 27, 2012
    First of all, let me just emphasize that I am a HUGE fan of musicals so I was very excited for the release of this film. And as I was watching the film I SO wanted to love this film; however, as high as my expectations and anticipation were, my disappointment was equally high. Now, I have to say that I thought the casting was perfect and in that vein, I also thought the acting (and singing! the actors' vocals were fine!) was tremendous. Where I thought the film fell short was in its directing and oh my goodness, in my opinion, the directing was terrible! Bad compositions, bad camera work, bad choreography, bad art direction (well, mostly) and HORRIBLE editing! The film ended up roughly being a series of singing heads and I have to say that really tries even my patience and believe me that is not easy to do! RR Expand
  7. Feb 10, 2013
    The whole movie is tedious. The singing was too much and acting was pretentious.
    It's totally the opposite experience while I was watching
    Moulin Rouge. Moulin Rouge is way much better than Les Miserables. Expand

See all 222 User Reviews


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