- Studio: Magnolia Pictures
- Release Date: Sep 23, 2011
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75Depending on your age, Limelight could make you nostalgic for those bad old days - and sort of glad you'll never be able to relive them.
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75As usual, Corben's style is caffeinated and a little rough around the edges, but he's a tenacious journalist, and his yen for sensationalism gives Limelight an irresistible tabloid pop.
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70As a trippy, trifling memorial to a time before its eponymous club was a mini-mall and rave culture a woozy memory, Limelight delivers the messed-up goods.
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60Transporting as it is, this doc leaves a bad taste in your mouth, if just for the ill will it drudges up.
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Sep 20, 201160Given all this interesting raw material, it's mildly disappointing that the filmmakers tie it together with such cheesy connective tissue.
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60This is still a fascinating history, especially when Limelight touches on the club scene's dark side: A lengthy dissection of the Angel Melendez murder, complete with an appearance by weathered-looking killer Michael Alig, chillingly shows how the out-all-night lifestyle can take its toll.
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Nov 12, 201150If all you know about Peter Gatien going in to Limelight is that he is a nightclub owner with legal issues, that's about all you'll know coming out.
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Sep 24, 201150Watching Limelight, about the rise and politically engineered fall of onetime Manhattan nightclub kingpin Peter Gatien, is like looking through a family album: If you're in the family, you might be interested.
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50All outrageous stuff. Gatien's story is worth telling. Which makes it all the more unfortunate that director Billy Corben presents it in such a methodical fashion.
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Sep 18, 201150Limelight focuses far too much on the club's downfall and not nearly enough on what attracted its denizens there in the first place, managing only to preach to the choir, forgetting to also take it to church.
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38Even if Corben hadn't photographed Gatien with lighting that makes him look like a horror-movie villain, he'd hardly come off as innocent.
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