- Studio: Relativity Media
- Release Date: Mar 18, 2011
- Critic Score
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75Briskly paced, suspenseful thriller.
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63This film based on Alan Glynn's novel "Dark Fields" is entirely too reliant on voice-over, a bit too tarted-up by Burger in an effort to make this head trip a visual experience.
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70An energetic, enjoyably preposterous compound - it's a paranoid thriller blended with pseudo-neuro-science fiction and catalyzed by a jolting dose of satire.
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55How, I'm wondering more and more often, do studios put movies like this one in front of audiences and assume they'll just buy it? The secret to making a great, or even just a good, thriller these days seems to have been lost.
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40To his credit, director Neil Burger either doesn't realize or doesn't care that the material is hokey to the point of unintentional hilarity-if not for the film's intermittent moments of hyper-stylization and its almost crippling sense of self-importance, Limitless might have been a truly unwatchable bore rather than just annoyingly silly and tedious.
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80Some might call this movie a step backward after Burger's previous feature, the painfully honest Iraq war drama "The Lucky Ones," but as a stylish intrigue it's hard to beat.
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63A heck of a ride. On the way to its unpredictable (if less than wholly satisfying) conclusion, it is entertaining, a little silly and visually dazzling.
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80A loopy joy from start to finish, Bradley Cooper proves that he's the real deal.
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88Add it all up, including the nifty twist at the end, and what we have here is a fun Hollywood flick with a good head on its shoulders.
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50What would you do if you could take a pill and suddenly access 100 percent of your brain power? This is the premise behind Limitless, a sci-fi thriller that looks as if its makers utilized around 30 percent of theirs.
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Mar 18, 201150Limitless is frustrating, in part, because it could have been much better.
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63Burger's film would have been better had he ended it about three minutes earlier than he does -- a move that would have given his movie at least a dash of profundity.
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55Directed by Neil Burger, whose "The Illusionist" also pulled an upbeat coda out of a hat, Limitless is entertaining for much of its running time. It's glib, and it's overly fond of hyperdrive pans, psychedelic montages and swift rack-focus shifts.
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75It's a wet dream for anyone who's ever dreamed of getting an edge on the information highway. The worst side effect is that you won't believe a word of the damn thing in the morning. Fair exchange.
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50Limitless may please a few looking for a shallow fantasy thriller, but won't fire up the synapses of the intellectually demanding.
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50Rooted in empty materialism, but it never evokes the heady rush of a guilty pleasure or the precipitous payback of a thriller.
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60The movie looks great, never lags, and keeps us intrigued throughout. It's not until the high wears off that we realize we've just been had.
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40Begins as pseudo-realism before descending into weird and mangled wank-job fantasy.
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63The movie is not terrifically good, but the premise is intriguing.
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50The story gets away from itself as it barrels forward. The tiny bit of sense it makes at the beginning is quickly sacrificed in a conclusion so facile, illogical and cheap that it could use a dose of NZT itself.
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50Smart isn't all it's cracked up to be and soon the movie is unraveling faster than all of Eddie's grand schemes.
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50Slick and senseless.
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88Limitless rocks.
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63Basically an addiction thriller in which the thirst is for the acquisition and execution of knowledge. So you need an actor who seems surprised by how smart he is but not afraid to be charmingly intelligent. Cooper turns out to be perfect for the part.
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63The problem with the movie isn't the acting, it's the story, which falls considerably short of the promise of its premise. For a plot about super-intelligent people, the screenplay is surprisingly dumb.
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75It's a small victory for flash in its eternal war with substance, but in this case, the flash is enough.
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50Limitless is a writer's movie by a writer, and it explores the dark side of the muse.
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50For all its peripatetic energy, Limitless still winds up with the same-old blazing guns and wanton destruction of property. No matter how smart you may be, Hollywood will figure out a way to dumb you down.
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Mar 17, 201175Burger has opened up what was a very interior book and injected it with a jolt of cinematic electricity. Smart move, smart movie.
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75Almost all of it works as wish-fulfillment fantasy.
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83In Limitless, a potently fanciful and fun thriller about a drug that turns you into a genius, Cooper proves a cock-of-the-walk movie star.
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80Some of its conceits may not hold up under intense scrutiny, but, generally speaking, it's a good time at the movies.
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83For two hours it's a fun head trip.
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50Directed with a pulsating fervor by Neil Burger, Limitless is absurd but entertaining action-adventure escapism. Bradley Cooper is versatile and virile, and a valiant leading man.
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40As we work our way back to that cliff-hanger of an opening, it becomes clear that the movie is no acid critique, but a hollow endorsement of high living. Guess every generation gets its "Boiler Room."
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40Without a complex thought about narcissism, merit, or addiction, Limitless is content to be an empty, one-note, satire-free fairy tale of avarice and corporate-political ambition.
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50Limitless should be so much smarter than it is.