User Score
tbd

No user score yet- Awaiting 2 more ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2

Review this movie

  1. Your Score
    10 out of 10
    Rate this:
    out of 10
  1. Submit
  2. Check Spelling
  3. Characters remaining: 5000 out of 5000

  1. ChadS.
    Nov 10, 2006
    6
    "La Petit Jerusalem" is about the most unlikely Parisians, an Orthodox Jewish family, whose youngest daughter(Laura, played by Fanny Valette) rejects her religion for philosophy(Kant, mostly) as a means to better assimilate within her French surroundings. She walks a lot and looks good riding in a subway car. As a sly gesture, when Laura is by herself, the film itself looks more French than when she's surrounded by family. When Laura gives up her academic pursuits, she stops walking, and "La Petit Jerusalem" stops looking new wavish, and more like a product of the middle east. This almost-successful film is somewhat hampered by a secondary narrative, in which the older sister(Mathilde, played by Elsa Zylberstein) tries to get her freak on to save her marriage(a philandering husband with a taste for blondes). The advice she receives from a religious adviser is imparted in very dull(some will argue, mature) fashion that brings this occasionally invigorating film to a screeching halt. Then we have to watch Mathilde apply her newly-found sexual liberation in a love scene that is fairly suggestive, but highly unerotic, because, well, it's married sex and they're kind of old. Expand
    • 0 of 0 users said yes
Metascore

Generally favorable reviews - based on 13 Critics

Critic score distribution:
  1. Positive: 6 out of 13
  2. Negative: 0 out of 13
  1. Reviewed by: Lisa Nesselson
    60
    In what is arguably her best performance since "Van Gogh," Zylberstein brings Mathilde to life with grace and fervor.
  2. Reviewed by: Rachel Aviv
    50
    The film strains under the influence of too many philosophy texts.
  3. Reviewed by: Nathan Lee
    60
    For the first full hour, as we're guided inside privacies of culture and consciousness, Ms. Albou sustains her rich and gently intoxicating mode of storytelling, a feat all the more admirable in light of the overly schematic script.