Metascore
54

Mixed or average reviews - based on 25 Critics

Critic score distribution:
  1. Positive: 10 out of 25
  2. Negative: 0 out of 25
  1. 75
    Buscemi does not act in Lonesome Jim, but his sly humor and keen eye for nuance resonate in every frame. I can't recall having a better time at a movie about depression.
  2. 75
    In sad-sack movies there is often a helpful woman around to help the despairing heroes. In "Garden State," it was Natalie Portman; in "Elizabethtown," Kirsten Dunst. Both were salvation angels, but Tyler has a gentle approach to this kind of role that is perfect for the tone of Lonesome Jim.
  3. Reviewed by: Jessica Letkemann
    75
    With a cast of well-chosen actors, a good script, and an eye for making ordinary suburban scenes visually heartbreaking, director Steve Buscemi's small story of failure, depression-and ultimately, love-in one Indiana town rings painfully true-to-life.
  4. Reviewed by: Duane Byrge
    70
    Under Buscemi's overall smart direction, the acting is terrific.
  5. Reviewed by: Don R. Lewis
    70
    Affleck is dead on as the hapless Jim but the film is nearly stolen from him by Mark Boone Jr. who plays Jim's drug induced Uncle Evil. Kevin Corrigan is also great as Jim's brother Tim.
  6. Bleak, minimal, bone-dry and hilarious, it creates a rich and layered world from deft strokes of dialogue and action.
  7. 70
    If Lonesome Jim feels like it's perpetually on the verge of evaporating, Buscemi brings to the material the boundless empathy for misfits and screw-ups he displayed in "Trees Lounge."
  8. As a director, Buscemi is drier than he is as a performer: more quietly funny, less intense and sometimes weirdly compassionate.
  9. 63
    Affleck's gloomy, one-note performance exacerbates the problem, but the stellar supporting cast helps compensate.
  10. Reviewed by: Ty Burr
    63
    Humor in 'Jim' is a little too dry.
  11. Reviewed by: Dennis Harvey
    60
    There's a slightness to the mildly eccentric material here that leaves the whole enterprise in danger of fluttering away.
  12. The script is adroit: It doesn't force the humor, and it steadily keeps track of Jim's growing maturity.
  13. Mostly a snooze. Maybe if Buscemi himself had starred in it things would have turned out better.
  14. 58
    Buscemi shoots with a cloudy, melancholic air that suits the material and does nothing to prettify the setting. But you can't sense any of the surprising energy or subversive wit that characterizes his best performances.
  15. Buscemi's latest, Lonesome Jim, written by James C. Strouse, asks you to spend 91 minutes with a 30-year-old slacker and would-be writer who has the DNA of a sloth. "Slowsome Jim" is more like it.
  16. Reviewed by: Kyle Smith
    50
    One of those indie excursions to Loserville that lasts an hour and a half but feels longer than "Roots."
  17. Well-intentioned but lifeless.
  18. The narrative of Lonesome Jim pokes about aimlessly, trying to mine nuggets of amusement.
  19. It doesn't leave you much to hold on to in a comedy about apathy that can't even muster the energy to care.
  20. Lonesome Jim has the import of a deliberately squelched sitcom, or a home movie that's poisoned by unhappiness but shown anyway for stray laughs.
  21. 50
    At one point screenwriter James C. Strouse name-checks the brilliant Richard Yates, whose fiction similiarly perches between grim humor and utter despair, but the movie's hip detachment is a far cry from the unruly passions of Yates's chronic losers.
  22. 50
    It finds some fine comedic moments when it stops focusing on Affleck's never-ending angst and starts exploring small-town oddness.
  23. Buscemi is stymied here by the inertia of his material.
  24. 40
    First-time screenwriter James C. Strouse (in whose hometown the film was shot) provides so few clues to the source of Jim's malaise, or that of his entire sad-sack family, that the movie remains rudderless and not the least bit believable.
  25. Mr. Buscemi wrote and starred in the small gem of a movie ("Trees Lounge"), which had more psychological nuance than this emotionally cauterized slice of minimalist malaise.

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