- Studio: IFC Films
- Release Date: May 14, 2010
- Critic Score
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90Very funny and a bit sentimental, it's naturalistic comedy of the highest order, with Evets and Henshaw standouts among a terrific cast.
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85In the end, Looking For Eric is about nothing less than trying to do the right thing when life keeps doing you wrong.
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80Play It Again, Eric... Ken Loach perfectly captures the feeling of football and the need for hope. Touching and hilarious - a blinder.
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Veteran British director Ken Loach fields one of his most accessible and lightly-toned offerings to date with this comedy about a football fanatic trying to sort out his life.
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80The archival game footage -- Cantona on the field, the roaring crowds -- infuses the film with that high-spirited sense of hope and heart that only a brilliant play when a game is on the line can deliver. Loach, a brilliant player at his own game, delivers the rest.
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80A daring and unstable mélange of styles--working-class realism, deadpan fantasy, shameless buffoonery. At times it falls flat, or fails to rise. More often than not, though, it's a heartbreaker.
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75From director Ken Loach, England's longtime disciple of social realism, comes his most audience-friendly picture yet
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75A mashup of Nick Hornby and Martin Scorsese? Why not?
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75In the engaging Looking for Eric, Loach, the master of British kitchen sink social drama - tries a bit of imaginary whimsy.
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75Along the way, Looking for Eric emerges as a portrait of a world and a way of life. You will probably not want to live in Manchester after seeing this film, but you'll like and respect the people.
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75Eric begins this story as a sad-eyed cipher and ends it as a whole man, and maybe that's structure enough, and reason enough, for one film.
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75It's uneven, but its optimistic message-lost causes can find strength through friendship and bonding-is contagious.
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70Mixing light magical realism with a more familiar brand of working-class gloom, Loach's warm, comic touch elevates the story of an aging man cracking up in plain sight.
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70Mr. Loach's touch is a bit lighter here. "Sweet Sixteen" is a coming-of-age story shot through the lens of social tragedy, while "The Wind That Shakes the Barley" is an epic of historical disaster. Looking for Eric is, by comparison, gentle and sweet and often very funny.
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70As in many of Laverty's scripts, problems of overall tone and character development aren't solved by Loach's easygoing direction, though when it works, "Eric" has many incidental pleasures.
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67iI's a film more content to amuse than truly to probe or feel.
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65What's remarkable about Looking for Eric is the number of ways in which it ALMOST works.
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60The actors are up to the challenges of the many serious moments, but the sweetest ones are the most memorable. It's nice to see Loach's gentler side.
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60The esteemed director, Ken Loach, isn't really a fantasist--and it shows.
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58What Looking For Eric demonstrates is that drama, not comedy, is how Loach makes sense of things. On the other hand, I often find his dramas unremittingly bleak. I guess what I'm really saying is that I'm not a big fan of Ken Loach.
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50Looking for Eric is easily the most commercially accessible of the Loach films I've seen, one of the lightest and least somber. It's also wildly structureless and uneven.
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50Loach becomes his own pale imitator with Looking For Eric, a wispy little comedy that uses fantasy to gloss over even the darkest and most intractable problems.
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42The British director Ken Loach can be a master of working-class realism, but not in this cranky, rudderless shambles.
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