Metascore
76

Generally favorable reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 26 out of 28
  2. Negative: 0 out of 28
  1. Reviewed by: Jordan Hoffman
    Feb 26, 2013
    100
    Lore is a rare, wonderful film that works not just as surface entertainment, but has deeper historical meaning, as well as an even grander, more universal statement.
  2. Reviewed by: Steven Boone
    Feb 13, 2013
    100
    Lore belongs in the inspiration-and-control camp. It makes dizzying flourishes out of moments that would pass as filler in other films.
  3. Reviewed by: Rex Reed
    Feb 9, 2013
    100
    It’s a remarkable accomplishment.
  4. Reviewed by: Marc Mohan
    Feb 7, 2013
    91
    Shortland, whose only previous feature was 2004's coming-of-age drama "Somersault," creates a visceral, immersive environment and draws a very impressive performance from newcomer Saskia Rosendahl.
  5. Reviewed by: Stephen Holden
    Feb 7, 2013
    90
    The film sustains an air of overarching mystery in which the viewer, like the title character, is in the position of a sheltered child plunked into an alien environment and required to fend for herself without a map or compass.
  6. Reviewed by: Steven Rea
    Mar 14, 2013
    88
    By the end of their arduous journey, Lore and her siblings are changed. But it's the kind of change that will take years, perhaps generations, to understand, to heal.
  7. Reviewed by: Ty Burr
    Mar 7, 2013
    88
    I’m not sure Lore holds up to repeated viewings — Shortland’s style is so feverish it could quickly turn precious — but it demands to be seen at least once.
  8. Reviewed by: Ella Taylor
    Feb 8, 2013
    85
    The climax Shortland offers us is much harder to take than Seiffert's gentler vision, yet far more evocative of the bitter price paid by the children of the Third Reich for the sins of their parents.
  9. Reviewed by: Steve Persall
    May 8, 2013
    83
    The images captured by cinematographer Adam Arkapaw are more dreamy than nightmarish as if his camera — like the children — doesn't fully understand the dangers.
  10. Reviewed by: Lisa Schwarzbaum
    Feb 13, 2013
    83
    This striking, slow-building drama from Cate Shortland uses fractured, impressionistic imagery as a mirror of moral dislocation as the children make their way through an unfamiliar landscape.
  11. Reviewed by: Mike Scott
    May 17, 2013
    80
    World War II dramas might be common enough, but, amid them all, Lore stands as an uncommon entry in the genre.
  12. Reviewed by: Xan Brooks
    Feb 22, 2013
    80
    Australian director Cate Shortland's drama is overflowing with such poetic visual touches, conjuring up a fairytale landscape of long shadows, wafting curtains and waving fronds.
  13. Reviewed by: Tom Dawson
    Feb 16, 2013
    80
    This oblique and understated tale of lost innocence conveys both an individual’s experiences and a powerful sense of a ruined nation.
  14. Reviewed by: Kenneth Turan
    Feb 7, 2013
    80
    At its heart Lore qualifies as a coming-of-age story, but it is far from the ones we usually see.
  15. Reviewed by: Joe Williams
    Mar 14, 2013
    75
    With a child’s perspective on war, Lore deserves comparisons with “Empire of the Sun” and “Hope and Glory,” and with a feisty female protagonist it stands virtually alone.
  16. Reviewed by: Leba Hertz
    Feb 28, 2013
    75
    Rosendahl brings a wonderful innocence and burgeoning sexual awakening to the role, while still evincing inner strength and complexity. In her unconscious attempts to regain her soul, Lore pays the ultimate price as she discovers the stink of who she and her family and her country had become.
  17. Reviewed by: Peter Rainer
    Feb 8, 2013
    75
    Saskia Rosendahl is a highly expressive actress within the limited confines of her character, and the film is studded with memorable scenes.
  18. Reviewed by: Farran Smith Nehme
    Feb 7, 2013
    75
    Lore is the sort of movie you’d already expect to rip your heart out, but that doesn’t diminish the tragedy when it does arrive.
  19. Reviewed by: Scott Tobias
    Feb 6, 2013
    75
    If nothing else, Shortland gives Rosendahl a star-making platform on par with Cornish’s in "Somersault": She’s a magnetic screen presence who subtly conveys not only the struggle and guilt inherent to her situation, but also a residue of hate that’s carried over from her parents. The actor, like her character, shoulders a heavy burden.
  20. Reviewed by: Joe Morgenstern
    Feb 7, 2013
    70
    The pace is deliberate, verging on slow — Australian filmmakers aren't keen on short takes or quick cuts — but the content is constantly surprising.
  21. Reviewed by: Scott Foundas
    Feb 5, 2013
    70
    Shortland draws fine work from her actors, particularly the haunting Rosendahl, who manages to seem by turns a perfectly unbending Nazi youth, a frightened little girl forced to grow up too quickly, and a sensuous young woman bursting into bloom.
  22. Reviewed by: Richard Kuipers
    Feb 1, 2013
    70
    Lore offers a fresh, intimate and mostly successful perspective on Germany's traumatic transition from conqueror nation to occupied state.
  23. Reviewed by: Marjorie Baumgarten
    Mar 6, 2013
    67
    Although there are moments that push the story a bit beyond credulity, Shortland has created something remarkable by forcing us to find within ourselves sympathy for this would-be Aryan princess.
  24. Reviewed by: Kevin Jagernauth
    Feb 7, 2013
    67
    While a film of great craft, strongly performed by the cast across the board, and particulary by the lead, newcomer Saskia Rosendahl, Lore never lets the audience in close enough for it to be a truly embraceable picture.
  25. Reviewed by: Roger Moore
    Mar 16, 2013
    63
    An engrossing but frustrating movie, so subtle in its depiction of a teenager struggling to come to terms with a world and worldview utterly upended that it almost trivializes the tragedy that Lore, we suspect, is just beginning to feel responsible for.
  26. Reviewed by: Nick McCarthy
    Feb 6, 2013
    63
    Copious amounts of landscape and wilderness shots cover up its schematic plot, as its indirect visual allusions take precedence over thematic development.
  27. Reviewed by: Joe Neumaier
    Feb 7, 2013
    60
    Australian director Cate Shortland’s straightforward approach to the blinders worn by Hitler Youth creates a disconcerting and eerie film, made even more memorable since it’s seen through the prism of childhood’s end.
  28. Reviewed by: David Fear
    Feb 5, 2013
    60
    What starts as a flipped survival tale turns into historical tragisploitation that wallows in its slog of endless suffering.
User Score
8.0

Generally favorable reviews- based on 16 Ratings

User score distribution:
  1. Positive: 4 out of 6
  2. Negative: 1 out of 6
  1. May 18, 2013
    8
    Very well made film with a refreshing take on WWII. The strongest element of the film is how it is shot, there is beauty found in every frame. The story moves along at a good pace, filled with tension. Performances are good, especially from a mostly young cast, however the central character of Lore, played excellently by Saskia Lumenthal, was quite frustrating; there were moments where she needed a kick up the backside. Ultimately though, this is an impressive film. Full Review »
  2. Apr 7, 2013
    3
    This movie plods along and is very frustrating. Probably historically authentic poorly done writing and direction. This movie tries to show the dilemma between Nazi Germany and Jews, but can't seem to get out of its own way. I left the theater thinking I will never get this time back... Full Review »
  3. Dec 24, 2013
    10
    This movie is brilliant but beware if you like your films wrapped up in a nice bow with good guys and bad guys carefully identified look elsewhere
    For those of us who realize that life is grey and never black & white it is great story-telling
    Subtle slow methodical building through-out.
    Yes the young jew is never fleshed out that is a conscious decision for pete's sake he represents the faceless nameless millions of jews slaughtered in the camps.
    I could go on and on about the artistic choices yes there is cut-away to nature once again a choice contrasting the children with uncaring, always going on nature it doesn't care that there has been a war that the kids may die it just is an existential presence throughout -see any of Malik's films for heaven's sake.
    Anyway brilliant and moving see it think about if it does not haunt you you're a moron
    Full Review »