- Studio: Universal Pictures
- Release Date: Nov 7, 2003
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88The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs, until at times Curtis seems to be working from a checklist of obligatory movie love situations and doesn't want to leave anything out.
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80A roundly entertaining romantic comedy, Love Actually is still nearly as cloying as it is funny its cheeky wit, impossibly attractive cast and sure-handed professionalism are beguiling.
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78It's not so much the individual storylines that grab you, but Curtis unrelenting optimism. In the end, it's nice to know that love, actually, does conquer all.
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75The biggest surprise in the cheery, delightful Love Actually is its lively, edgy, slightly blue sense of humor.
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75At times soppy, sentimental and shamelessly romantic, at other moments bursting with clever barbs -- and now and then zooming in on something telling and poignant -- Love Actually is just about impossible to dislike.
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75Love Actually is irresistible. You'd have to be Ebenezer Scrooge not to walk out smiling.
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75Appealing and genial with plenty of solid laughs, and worthy of a recommendation for those who appreciate this kind of thing. Just don't expect material that's edgy, dark, or challenging. Consider Love Actually the antidote to "Mystic River."
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75It's a toasty, star-packed ensemble comedy in which a handful of lonelyhearts attempt, with some success, to come out of their shells, and it's going to make a lot of holiday romantics feel very, very good; watching it, I felt cozy and charmed myself.
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70Reminds you of an elaborate Christmas card that tumbles apart with pop-up figures, silly/charming greetings and perhaps even a jingle. It probably cost more than the gift it heralds, and you can't help but laugh at the audacity of such an aggressively cheerful card.
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70Frequently funny, generally fizzy and occasionally piercingly perceptive about the price love exacts.
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70If youre going to have your emotional responses shunted around like a gear stick, it might as well be by someone who writes dialogue as funny as Curtis does.
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70Provides enough happy endings to make the audience forget that romance and Christmas miracles don't always work out.
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70Enough of Curtis' lovably crazed characters do succeed in finding love in all the unlikely places that you leave the theater with your heart humming happily. He has his dark -- well, darkish -- side under control. Which is to say that he is an Englishman, well practiced in masking pain and absurdity and descents into sheer goofiness with mannerly behavior, sly irony and stiff upper lips.
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70Mind you, there's lots to like, if not love, in this London-set, star-studded comedy. Unfortunately, there's a little bit to hate, too.
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70The film is in one sense lifelike: in order to get the good, we have to endure the lesser.
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70This is cloying, deceitful, and more or less irresistible.
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67The film is an audience-pleaser, but very calculated and far from Curtis' best work: His script will go to any lengths to be cute, and his direction tends to be overly broad. In the end, he wears us out with the sheer volume of witty and endearing characters.
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63Structurally, Love Actually is less like "Four Weddings" than it is "Scary Movie 3." Curtis throws every gag he can think of at the screen and the ones that don't stick, he throws again and again.
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63By far the best single performance in the film - and it is really, really terrific, utterly believable and moving - is by Emma Thompson. To the extent that there is genuine feeling in the movie that doesn't feel slickly manipulative, it's in the scenes involving her character.
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63Charming, if terribly overstuffed, vision of romantic London gridlock.
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63Overall, it pushes its "love is good" message with such insistence, so many cheery pop tunes, airport hugs, coincidences and teary smiles, that it feels like one long commercial. Surely love is a desirable enough commodity that it doesn't require such a hard sell.
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60Its a formula that works and, as crowd-pleasing mainstream Britcom goes, its a relatively solid, if flawed, entry into the genre.
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60Feels less like a brand-new movie than a greatest-hits compendium. It offers nothing new and instead makes do with presenting the warmed-over like something pulled fresh from the oven.
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60Though it would be dishonest to call this an unqualified success, it would be churlish not to tip the hat to Love Actually's genuine charm.
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60Alternately beguiling and bloated, witty and warmed over, smart and pandering. The majority is likely to swoon; the minority will squirm their way through it.
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60It's too florid, too calculated, too too. Here's my emotional declaration: I love Richard Curtis' work. But I can't help feeling that the Bard of Embarrassment could use a touch more shame.
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58Sometimes complicated, sometimes incredibly simple, the film explicates or fawns over the human condition with occasional charm and poignancy but too often it's just cloying.
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50Curtis ladles sugar over the eager-to-please Love Actually to make it go down easy, forgetting that sometimes it just makes you gag.
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50The movie grows more cloying and repetitive as it stretches well beyond two hours. Almost every main character boasts the same bashful, puppy-dog attitude toward romance.
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Abandons any pretext of sophistication for gloppy sentimentality, sugary pop songs and bawdy humor -- an approach that works about half the time.
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50There were times watching this movie when I felt I was being force-fed 30 pounds of crème brûlée. Which isnt to say I choked on every minute: I chortled heartily at the thread about the comeback of the washed-up rock star (Bill Nighy).
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50If you feel yourself glowing after Love Actually, you might be suffering from sugar shock.
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50Ultimately, when Love Actually pulls out all the stops, which it does at least three times during the final smorgasbord of climaxes, it can be well nigh irresistible.
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50I would have hated Love Actually less if it had been a total, clumsy disaster; the problem is that Curtis does pull off some amazingly well-tuned moments, as well as some very funny ones.
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50Cloying as much of this stuff is, it's not cynical. Curtis seems genuinely convinced that love is all around. Far be it from me to say otherwise. We dont speak the same language.
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50When he isn't overreaching for absurdity, Curtis can write bouncy patter, but each character gets about 60 seconds before the movie jumps deck to the next love-seeker and the next moony pratfall.
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40If listing the cast of Love Actually is exhausting, it's even more tiring to watch it.
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38What's the message: that women must remain vigilant about poundage to keep husbands from chasing taut-thighed secretaries? That's a charitable Christmas thought.
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25A romantic comedy-drama has to make sense, though, and Love Actually doesn't, actually.
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20A patchwork of contrived naughtiness and forced pathos...The loose ends are neatly tied up, as they are when you seal a bag of garbage -- or if you prefer, rubbish.
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20Gets to be dislikable in its glib feelgoodness. The movie's many excellent actors do too much acting with too little conviction in scenes that rush through perfunctory setups to deliver pat payoffs.
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User score distribution:
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Positive: 77 out of 93
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Mixed: 6 out of 93
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Negative: 10 out of 93
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MichaelJ.10
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10To all those who have watched it: I hope you enjoyed it as much as I do. To all those who haven't watched it yet: what are you waiting for?