• Summary: In the sterile setting of a powerful multinational corporation, two women compete ... Isabelle works under Christine, a woman she admires without reservation. But Christine is a dangerous, jealous woman who begins a game of perverse seduction and domination with Isabelle. This game goes too far ... to the point of no return. (Canal+) Expand
Score distribution:
  1. Positive: 11 out of 21
  2. Negative: 0 out of 21
  1. Reviewed by: Mick LaSalle
    Sep 8, 2011
    100
    The goal of this review - why not just say it? - is to disclose as little about the story as possible while instilling a ravenous and even rabid desire to see Love Crime immediately.
  2. Reviewed by: Steven Rea
    Sep 22, 2011
    88
    Like some murderous version of "Working Girl," the ruthless exec and the seemingly naive underling go at one another - turning the film, at a pivotal moment, into a satisfying whodunit.
  3. Reviewed by: Bernard Besserglik
    Sep 2, 2011
    60
    Love Crime has Hitchcockian pretentious, with perhaps a touch of film noir, but the "love" component is perfunctorily done and the "crime" pay-off is unconvincing (despite the twist in the tail). The Master would not have allowed the suspense to dissipate so wantonly.

See all 21 Critic Reviews

Score distribution:
  1. Positive: 1 out of 3
  2. Negative: 0 out of 3
  1. Ludivine Sagnier movies are always a little off-center and entertaining, and Kristin Scott Thomas is routinely excellent in English or French. This is an odd little movie - much like a TV procedural - but with the absolute worst "fill-in" details surrounding their workplace. They might as well have just referred to everything as widgets and every "other" person a Joe Bloggs. It was laughable- in fact, the crowd did a lot of laughing in this film. But I have a feeling the filmmakers were laughing with us when they wrote and directed it. I had fun - just don't take it too seriously. Expand
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  2. Rare for a mysterious thriller set in the high stakes business realm, Love Crime (Crime d’Amour) is dominated by women with the men relegated to paltry supporting roles. Christine (Kristin Scott Thomas) is on the fast track to the elite tier of her international business firm as chief of their Paris office. She is confident, sexy, knows how to work the room, and has complete faith in her subordinate Isabelle (Ludivine Sagnier). Not only is Christine a business mentor to Isabelle, she also assumes the role of life coach, close confidant, and in a few moments, possible temptress. Isabelle is also on the fast track but is severely overshadowed by the extroverted Christine. She has original ideas which win the firm big clients but Christine will frequently claim those ideas as her own to help her case for promotion. Christine does not necessarily view this as the immoral thing to do. She is the boss and ideas flow to the top. Plus, any success merited to Christine will naturally help Isabelle’s career; however, Isabelle must never forget who is truly in charge. While attempting to prove herself outside of Christine’s shadow, Isabelle sparks a feud between the two careerists with drastic consequences. So begins an intricate chess match of hints, allegations, innuendo, and dramatic backroom conversations. Christine attempts to squash her former protégé back into obscurity and Isabelle maneuvers to step into her own spotlight subverting her malicious boss. If you have a weakness for ‘who dunnits’ or intricate true crime methodologies, then Love Crime is your guilty pleasure come true. However, if you have only passing interest in the above mentioned genre, then you can take or leave this film. The script is sharp, the acting is a pleasure to watch, and the intense, hushed French conversations will keep you immersed, but there is not much more to it. Isabelle’s relationship with Christine reminded me a bit of the earlier Ludivine Sagnier role in Swimming Pool, but instead of Charlotte Rampling, this time you get a much more assertive Kristin Scott Thomas. There are also direct reminders of The Business of Strangers with Stockard Channing and Julia Stiles. Sagnier redeems herself in this audience member’s eye from her disastrous work in The Devil’s Double. While that was a good film, her character and acting drastically impacted its plausibility. Plausibility is also a factor here in Love Crime. There are overreactions you would never see in reality but the intricate follow through in the malevolent details make up for a good portion of disbelief. Expand
    • 0 of 0 users said yes
  3. I have not seen a French film in years that I liked. At least this one is tolerable, though unbelievable; what the characters say and do did not touch me any in away. At least this time I did not FFWD through as I as waiting for the resolve, the exposure, the truth. But has been said by better, "you can't handle the truth" which is, many French films are over rated. Perhaps there is a certain gene I am missing. Not worth my time but not as bad as the usual French output that gets outstanding American reviews. Expand
    • 0 of 0 users said yes

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