- Studio: New Line Cinema
- Release Date: Nov 16, 2007
User Score
5.7
out of 10
Mixed or average reviews- based on 25 Ratings
User score distribution:
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Positive: 14 out of 25
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Mixed: 4 out of 25
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Negative: 7 out of 25
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ChadS.Feb 5, 20085
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LuisP.Mar 12, 20087
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CarolB.Apr 13, 20089Loved it. A beautiful love story. Javier Bardem is imazing in that he can play the patient, kind lover in this movie and the crazed killer in "No Country for Old Men". Incredibly talented actor.
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ThomasQ.Nov 16, 20071Read the book, skip this treadfully bad film. Poorly conceived and even more poorly executd. Just bad, especially up against the WONDERFUL novel.
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JerryM.Nov 17, 20070If I had to choose between sitting through this movie again or cholera, I'd choose cholera - it's less painful. The story is missing large amounts of plot, skipping forward without explanation and the acting is on par with a bad telenovela. I found myself envying the characters who died in the movie.
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AaronL.Nov 22, 20078A sweeping movie across generations, filled with poetry, beauty, and love. Tickling, thought provoking and ultimately romantic.
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KatieM.Dec 30, 20072
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StephenH.Dec 5, 20078
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AshleyG.Mar 19, 20081
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CaladoniaK.Nov 17, 20070Terrible. Empty and apathetic film.
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SheilaPNov 17, 20078I read the book and found it to be superb. I thought the movie followed fairly closely. A book certainly always has more flesh than a movie but I absolutely do not agree with the low comments. I heard all positive comments upon exiting the theater. It was a well done, well crafted and beautiful film.
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Shot on location in vibrant Cartagena, the film's strong suit is aesthetic. Cinematographer Alfonso Beato, designer Wolf Kroeger and costume designer Marit Allen evoke aged exotic locales, rugged rural settings and dimly lit period interiors. A closing, aerial image has a breathtaking, spiritual beauty.
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80It's a well-crafted, handsome period piece, and pleasant to watch, but the intensity of an obsessional style--something that matches Florentino's crazy single-mindedness--is beyond Newell's range. The director of "Donnie Brasco" and "Four Weddings and a Funeral" doesn't paint with the camera; he doesn't seize on certain visual motifs, as he should, and turn them into the equivalent of a lover's devotion to fetishes.
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50Despite a magnificent performance by Javier Bardem, the film not only falls short of the novel's magic, but fails to generate much of its own.