User Score
5.3

Mixed or average reviews- based on 31 Ratings

User score distribution:
  1. Positive: 15 out of 31
  2. Negative: 11 out of 31
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  1. Nov 12, 2012
    1
    You can't just take a novel, no matter how great, and translate it to script word for word. Chances are, you'll need to make adjustments. Because if you don't, you get an indolent, sporadic lump of doo-doo like this. Insufferable.
  2. Mar 29, 2014
    10
    incredible..............................................................................................................................................................................................................................................................................................................................................................................................incredible....................................................................................................................................................................................................................................................................................................................................................................................................................................................................................Very Good Expand
  3. Feb 4, 2015
    3
    First 1 hour is very very boring.I didn't watch rest of the movie.Some one was saying it better towards the end.......................................
Metascore
43

Mixed or average reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 5 out of 29
  2. Negative: 7 out of 29
  1. Reviewed by: Sura Wood
    60
    Shot on location in vibrant Cartagena, the film's strong suit is aesthetic. Cinematographer Alfonso Beato, designer Wolf Kroeger and costume designer Marit Allen evoke aged exotic locales, rugged rural settings and dimly lit period interiors. A closing, aerial image has a breathtaking, spiritual beauty.
  2. 80
    It’s a well-crafted, handsome period piece, and pleasant to watch, but the intensity of an obsessional style--something that matches Florentino’s crazy single-mindedness--is beyond Newell’s range. The director of “Donnie Brasco” and “Four Weddings and a Funeral” doesn’t paint with the camera; he doesn’t seize on certain visual motifs, as he should, and turn them into the equivalent of a lover’s devotion to fetishes.
  3. Reviewed by: John Anderson
    50
    Despite a magnificent performance by Javier Bardem, the film not only falls short of the novel's magic, but fails to generate much of its own.