Metascore
41

Mixed or average reviews - based on 9 Critics

Critic score distribution:
  1. Positive: 1 out of 9
  2. Negative: 3 out of 9
  1. Reviewed by: Lisa Schwarzbaum
    Jul 16, 2011
    67
    It is fun, though, 
 to see the younger Hanks play a murderer - it's like seeing Justin Bieber work blue.
  2. Reviewed by: Lou Lumenick
    Jul 15, 2011
    50
    Alas, the complications don't arrive nearly quickly enough for the overlong and slow-paced Lucky to really cook.
  3. Reviewed by: Jeannette Catsoulis
    Jul 14, 2011
    50
    Pitching uncertainly between cute and creepy, engaging and weird, this farcical story draws energy from a wickedly eccentric Ann-Margret, having a high old time as Ben's doting mother.
  4. Reviewed by: Rex Reed
    Jul 12, 2011
    50
    The film is awkward, the situations tenuous and underdeveloped, the pacing torturous as a slow drip from a leaking faucet, and the narrative just plods along, with the body count rising for no clear reason.
  5. Reviewed by: Tim Cogshell
    Jul 21, 2011
    40
    Lucky has its moments, but even with good, sometimes exceptional performances, its criminally vile characters are never likable enough to make you laugh at (or forgive) their wickedness.
  6. Reviewed by: Joshua Rothkopf
    Jul 12, 2011
    40
    It gets bogged down in slo-mo indie quirk when it should be faster, more in our face.
  7. Reviewed by: Chuck Bowen
    Jul 11, 2011
    38
    The film is a collection of consciously quirky indie tropes in place of any meaningful narrative, and you can practically see the notebook the filmmakers may have written in during a brainstorming session in a college screenwriting seminar.
  8. Reviewed by: Kirk Honeycutt
    Jul 16, 2011
    30
    Nothing is bleaker than failed black comedy, which this is.
  9. Reviewed by: Nick Pinkerton
    Jul 12, 2011
    30
    Graynor is a muddle of kooky indie girlfriend and materialistic fortune hunter; Hanks has neither threat nor pathos at his command.

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