User Score
6.3 out of 10

Generally favorable reviews- based on 4 Ratings

User score distribution:
  1. Positive: 3 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 1 out of 4

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  1. Joshc
    Apr 8, 2008
    7
    Lunacy is Svankmajer's most political work—or, rather, the one that most explicitly announces its political ambitions. By film's end, amidst a gonzo flurry of chicken feathers, sadomasochistic violence, and infectious laughter, a blue-balled Jean is caught between a rock and a hard place, a nut and a bigger nut—a standstill reflective of our current state of affairs. This is a constantly buzzing tinker-toy of sensualist shocks and homegrown invention, but Svankmajer makes the mistake of deconstructing the film for us during an introductory onscreen address and, then, saddling characters with explanatory rhetoric about the degradation of authority and the body's drive for dominance. The film's great irony is that its hulking animal tongues conspire for our pleasure while Svankmajer's own loose lingua acts as a buzzkill. Expand
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Metascore

Generally favorable reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 9 out of 16
  2. Negative: 0 out of 16
  1. Reviewed by: Richard James Havis
    70
    It's a fully formed film which transcends polemic by an intelligent use of the imagination.
  2. Reviewed by: Jay Weissberg
    50
    More moving animal parts and less human pontificating would make a stronger case for a tale already rich in imagery. Another drawback is Liska, too one-dimensional to stand against Triska's overpowering performance.
  3. Mr. Svankmajer's provocations skew toward the intellectual and the shivery rather than the pop and the visceral, and at his best, he doesn't just get under your skin, but also deep in your head, too. Here, unfortunately, he does neither, despite some marvelous stop-motion animated sequences involving a literal moveable feast of severed animal tongues, loose eyeballs and errant brains.