- Studio: IFC Films
- Release Date: Dec 7, 2007
- Critic Score
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70A ramshackle but likeable story.
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By salvaging a troubled script with deep, committed, touching portrayals, Plummer and Walsh help prove Schroeder's points about how Hollywood isn't just the province of the rich, young and pretty.
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60Man in the Chair has few surprises. Once its machinery is humming, it settles into a soothing fable of a last hurrah.
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60As a showcase for rising young star Michael Angarano and Christopher Plummer, pic offers the pleasures of connecting Hollywood traditions and generations in the spirit of Peter Bogdanovich's films about and inspired by the movies.
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50We'll overlook the clichéd predictability of their partnership and note that Plummer, and M. Emmet Walsh as his lonely friend, are a pleasure to watch.
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50With its flashy, music-video style edits, rock-scored montages and septuagenarian cast, it's hard to say who, exactly, is the right audience for this unusual comedic drama.
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Though they can't transcend writer-director Michael Schroeder's pointed contrivances, the actors tap into something achingly true in this valentine to Hollywood's below-the-line crafts people and society's castoffs.
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40As in Cocoon, the emphasis is on sentiment, feel-good and reclaiming the elderly from the scrapheap. But the performances are nowhere near as subtle.
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Walsh and Plummer are obviously pros, and they hustle to put across some patently ridiculous business, but, well, it's true about the polishing thing.
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38The movie works so hard at juggling its cliches that it fails to generate interest in its story.
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38It's a cute idea that a better filmmaker than writer-director Michael Schroeder could have done a lot with.
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30This indie drama spends a lot of time mooning over classical Hollywood cinema, but its own visual style tends toward the pointless flash of music videos.
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EmettO.10