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100One of the quintessential '60s foreign art films, a bizarre melange of pop music, revolution, sex, movie allusions and poetry. It's a masterpiece of sorts by one of the most important European filmmakers of that era. But it's also a movie that can drive you crazy.
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100Masterly by any measure.
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100Masculine, Feminine could be viewed as Godard's reaction to his own success and the state of the world around him.
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100Directed by anyone else, Masculine Feminine--one of three movies that Godard made in his peak year, 1966--would be a masterpiece. For the young JLG it's business as usual.
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91One of the most alluring and bizarre shapes that Godard's itchy search for truth and meaning took in those heady long-ago days. In comparison, most Hollywood movies are like tiddlywinks.
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90Speaks to the teenager in all of us.
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90This witty and tender 1966 gem remains as timeless and fresh as ever.
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90This document of youthful confusion has not aged one minute. If anything, its detached, discursive and sympathetic observation of the earnest foolishness of post-baccalaureate, pre-1968 Parisians is more acute, and more prophetic, than ever.
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90An excellent film, still as fresh as the day it was made.
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88Remains worth seeing as an achingly nostalgic farewell to youthful idealism, tinged with a kind of loving contempt.
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80Jean-Luc Godard visited the world of young folk to create his most humane film. (Review of Original Release)
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75Godard works with a bright style and a sense of humor and his pictures leave a cumulative impression. (Review of Original Release)
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75The film has aged gracefully.
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75It's cumulatively entertaining, and a fascinating and nostalgic time capsule of its era. Watch for the cameo by Brigitte Bardot.
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