User Score
8.3

Universal acclaim- based on 16 Ratings

User score distribution:
  1. Positive: 14 out of 16
  2. Negative: 1 out of 16

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  1. Apr 30, 2014
    7
    My fourth Godard’s film (CONTEMPT 1963, 7/10; BREATHLESS 1960, 9/10; PIERROT LE FOU 1965, 7/10) so far, thus apparently I am not a newbie in Godard school, but to see the defiant Jean-Pierre Léaud (Francois Truffaut’s alter ego in THE 400 BLOWS 1959, 9/10) has grown into a handsome young man, a boy-becomes-man leap from Antoine Doinel to Paul, with sharp stare, worldly-wise sophistication (a wonderful whistler and vocalist too), in a Godard’s picture, which strikes as a sublime force of naturalistic liaison between La Nouvelle Vague auteurs.
    read rest of the review in my blog, google "cinema omnivore"
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Metascore
92

Universal acclaim - based on 14 Critics

Critic score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
  1. 90
    An excellent film, still as fresh as the day it was made.
  2. 75
    Godard works with a bright style and a sense of humor and his pictures leave a cumulative impression. (Review of Original Release)
  3. Reviewed by: Staff (Not credited)
    80
    Jean-Luc Godard visited the world of young folk to create his most humane film. (Review of Original Release)