Metascore
70 out of 100

Generally favorable reviews - based on 17 Critics

Critic score distribution:
  1. Positive: 13 out of 17
  2. Negative: 1 out of 17
  1. One of the great portraits of artists fighting, even with murderous rage, to reach the sublime.
  2. Reviewed by: Michael Blowen
    100
    Reflective, haunting, hilarious documentary.
  3. 89
    Like a car crash in slo-mo, it's a riveting, beautiful mess.
  4. 88
    Absorbing, artfully executed.
  5. Herzog's fascinating, rambling, love-hate documentary about their friendship and creative partnership, and in its discursive, anecdotal way it gets at the essence of one of cinema's indelible crackpots.
  6. 80
    (Herzog's) tribute to Kinski doubles as a life-affirming monument to creation in all its variety.
  7. Reviewed by: Richard Corliss
    80
    This documentary, a gallivanting time trip through a bolder film era, is Herzog's final collaboration with Kinski: an act of love and exorcism.
  8. 75
    About two men who both wanted to be dominant, who both had all the answers, who were inseparably bound together in love and hate, and who created extraordinary work--while all the time each resented the other's contribution.
  9. Herzog soft-pedals his cinematic ingenuity in this personal documentary about his love-hate relationship with Kinski, whose performances in Herzog classics...helped both of them become towering figures on the international movie scene before Kinski's untimely death.
  10. 75
    German director Werner Herzog's fascinating, fond and often bitchy documentary recalling the late star of his most celebrated movies.
  11. A documentary that is half confessional memoir.
  12. Reviewed by: Janet Maslin
    70
    Serves as an eloquent coda to their unforgettable creative partnership.
  13. 61
    From the beginning of his career a fervent, epic documentarian, Herzog is a personal filmmaker as well, and My Best Fiend is certainly his most intimate and introspective film.
  14. 60
    A first-person doc assembled largely from footage taken in the course of the five features they made, being madmen together.
  15. Reviewed by: John Hartl
    60
    The evidence Herzog serves up is impossible to dismiss.
  16. Compels questions about Kinski's bravado and artistry, and suggests that it might not always be easy to distinguish his from Herzog's.