- Studio: New Yorker Films
- Release Date: Nov 5, 1999
- Critic Score
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100One of the great portraits of artists fighting, even with murderous rage, to reach the sublime.
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100Reflective, haunting, hilarious documentary.
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89Like a car crash in slo-mo, it's a riveting, beautiful mess.
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88Absorbing, artfully executed.
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83Herzog's fascinating, rambling, love-hate documentary about their friendship and creative partnership, and in its discursive, anecdotal way it gets at the essence of one of cinema's indelible crackpots.
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80(Herzog's) tribute to Kinski doubles as a life-affirming monument to creation in all its variety.
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80This documentary, a gallivanting time trip through a bolder film era, is Herzog's final collaboration with Kinski: an act of love and exorcism.
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75About two men who both wanted to be dominant, who both had all the answers, who were inseparably bound together in love and hate, and who created extraordinary work--while all the time each resented the other's contribution.
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75Herzog soft-pedals his cinematic ingenuity in this personal documentary about his love-hate relationship with Kinski, whose performances in Herzog classics...helped both of them become towering figures on the international movie scene before Kinski's untimely death.
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75German director Werner Herzog's fascinating, fond and often bitchy documentary recalling the late star of his most celebrated movies.
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75A documentary that is half confessional memoir.
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Serves as an eloquent coda to their unforgettable creative partnership.
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61From the beginning of his career a fervent, epic documentarian, Herzog is a personal filmmaker as well, and My Best Fiend is certainly his most intimate and introspective film.
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60Hugely entertaining.
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60A first-person doc assembled largely from footage taken in the course of the five features they made, being madmen together.
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60The evidence Herzog serves up is impossible to dismiss.
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30Compels questions about Kinski's bravado and artistry, and suggests that it might not always be easy to distinguish his from Herzog's.
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