- Critic Score
- Most active
- Publication
- Most clicked
-
88Cassel's performance...the best reason to see this, one of the best French (In French with English subtitles) crime thrillers of the new millennium.
-
80Part One, at least, is a French "Bonnie and Clyde."
-
55Mostly it's frustrating; the film is an episodic jumble that runs hot and cold not in some implied thematic synchronicity with its subject's character but as part of a misguided approach that assumes the audience will find whatever Mesrine does, in whatever order and with whatever emphasis, inherently fascinating.
-
100The films never lose sight of Mesrine the man, a fascinating character in that he's brutal yet extremely intelligent, has a skewed but discernible conscience, and, under the right circumstances, can be warm and generous.
-
88The acting is macho understatement. Mesrine is a character who might have been played years ago by Gerard Depardieu, who appears here as Guido, a bullet-headed impresario of larceny.
-
75So what is it? Primarily it's a showcase for Vincent Cassel, who dines out on the role and won a Cesar award (the Gallic Oscar) for his efforts.
-
75The real-life career criminal Jacques Mesrine is seen in all his wild, scary, violent glory.
-
75The enjoyment of the film comes from watching Mesrine's ambitions grow slowly but exponentially; the shock is in being reminded and re-reminded of his sadism.
-
75As biographical crime thrillers go, Killer Instinct is a worthy entry to the genre, although the incompleteness of the story makes it difficult to evaluate on its own. The movie needs to be seen in the context of a greater whole for it to be fully appreciated.
-
75While Mesrine: Killer Instinct certainly deserves a place among memorable French gangster films, Richet never delivers a clear theme here, let alone a plot.
-
63Mesrine's gentler side is explored, too, as he gets caught up with women portrayed by two of France's leading actresses, Ludivine Sagnier and Cecile de France.
-
Much of it plays like an unintentional mash-up of the numerous wrong-side-of-the-law sagas that preceded it.
-
80Instantly gripping, with a powerhouse star performance, it'll make you want to speed through the weeks to get to part two.
-
60This disappointing dramatization, mounted with generic blandness by Jean-François Richet, makes no case for the man's larger significance, nor does any emotional digging at all. Such detachment was no doubt considered artistically shrewd-it's a big mistake.
-
50There's enough action to keep us watching, but little incentive to return when the movie's second half - yep, another two hours - hits theaters next week.
-
83The film is big and sprawling and moves with fiery energy -- there's little or no exposition or explanation between scenes or episodes, yielding a breakneck pace.
-
58The events may be accurate, but Mesrine is so episodic that it's slightly maddening to watch.
-
90It makes for continuously riveting, visceral entertainment that evokes a Gallic "Scarface" without the drugs.
-
70This is much more conventional cops and robbers stuff, leavened with a bit of sex and sequences of brutal, at times sadistic, violence. What elevates it above the norm is bravura acting by Vincent Cassel in the title role.
-
70Mesrine was no more a movie star than John Dillinger was, but both men could dream, and Cassel catches the folly of such dreaming, with its blasts of thuggery and its rare flashes of style, as neatly as anyone since Warren Oates took the title role of "Dillinger," in 1973.
-
70Comparisons with Michael Mann's recent Dillinger biopic "Public Enemies" are inevitable, and mostly flattering to this project: director Jean-Francois Richet and screenwriter Abdel Raouf Dafri take advantage of the additional screen time (about 100 minutes more than Mann had) to flesh out their protagonist, who fancies himself an honorable thief and even a left-wing revolutionary but ultimately turns out to be something much simpler: a man who loves his work.
-
50Richet proves maddeningly loath to edit his material, and his charismatic star, Vincent Cassel, does not delve deep into the character.
-
67Cassel is convincing and riveting as Mesrine, which helps balance out the film's problematic slick shallowness and disconnects.