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100Under Eastwood's painstakingly stripped-down direction -- his filmmaking has become the cinematic equivalent of Hemingway's spare though precise prose -- the story emerges as that rarest of birds, an uplifting tragedy.
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100A masterpiece, pure and simple, deep and true...The best film of the year.
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100Achieves a mellowness and melancholy that recalls the jazzy dissonance of director (and here, composer) Eastwood's best work: "The Outlaw Josey Wales," "Bird," "Unforgiven" and "Mystic River."
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100It's an ideal match, and Eastwood deserves accolades as both director and star of this powerfully made picture.
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100One of the many pleasures of this beautifully composed, measured movie is how it reminds you of the power of pure storytelling -- an art that's too often overlooked in contemporary films in the rush for sensation and excitement.
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100A spare, exquisitely realized masterpiece about faith, redemption and boxing that beautifully illustrates his longtime philosophy that "less is more."
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100This heartbreaking film, with its rich performances and simple eloquence, lays claim to greatness.
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100Ages well in memory because it gradually seems to mean more. Its meaning can't be summed up in a sentence, but it has to do with a view of life as inexpressibly sad and yet always right.
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100As good as "Unforgiven." Or, to put it another way, as good as any movie Eastwood has ever directed.
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100More than "Unforgiven," more than "Mystic River," it is Clint Eastwood's autumnal masterpiece.
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100A remarkably appealing success story full of heart and humor and poignancy, with Swank as winning as she’s ever been.
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100Reveals the drama and degredation so powerfully that it ranks among the all-time heavyweights of sports movies.
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100Eastwood tells the story at a pace well under the Hollywood speed limit, tosses in details so beguiling they seem about to sprout into motion pictures of their own and bathes his subjects in shadows as lovely as those in any Rembrandt.
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100Unlike other filmmakers in the autumn or winter of their careers, Eastwood doesn't seem content to rest on his laurels and give his audiences the tried and the true. For that reason, among many others, he and Million Dollar Baby are true champions.
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100A truly powerful, masterful work.
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100It's an emotionally gripping, daringly genre-twisting, consummately crafted piece of filmmaking.
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100Perhaps the director's most touching, most elegiac work yet, Million Dollar Baby is a film that does both the expected and the unexpected, that has the nerve and the will to be as pitiless as it is sentimental.
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100With its careful, unassuming naturalism, its visual thrift and its emotional directness, Million Dollar Baby feels at once contemporary and classical, a work of utter mastery that at the same time has nothing in particular to prove.
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100Eastwood takes the audience to raw, profoundly moving places. If you fear strong emotions, this is not for you. But if you want to see Hollywood filmmaking at its most potent, Eastwood has delivered the real deal.
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100Staying at the top of his game when most of his contemporaries have long since hung up their gloves, Clint Eastwood delivers another knockout punch with Million Dollar Baby.
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100Has a beautifully modulated sadness that's almost musical. Eastwood once made a movie about Charlie Parker ("Bird"), but this picture has the smoothly melancholic tones of Coleman Hawkins at his greatest.
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100Haggis's dialogue is worthy of Hemingway, and the three leads border on perfection.
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91A movie of tough excitement and surprise, even grace.
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90Baby may not be quite as compelling as Mystic River or Unforgiven, but there's something so stirring, and disquieting, too, in his quest that we cannot help but pay close attention to him. In the middle of his long career's third act, he's still searching for the secrets in things with striking resolve. You certainly can't ask more than that of any 75-year-old ex-gunslinger.
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90So wonderfully antiquated, so blissfully free of postmodern cleverness.
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90The heart of Million Dollar Baby lies in the core relationships among Frankie, Maggie and Scrap, friendships so pure, so genuine, so authentic that it takes actors of Eastwood's, Swank's and Freeman's caliber to sell them in this otherwise cynical world.
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88The knockout punch comes from Eastwood. His stripped-down performance -- as powerful as anything he's ever done -- has a rugged, haunting beauty. The same goes for the movie.
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88Million Dollar Baby is a knockout. It is Clint Eastwood's baby in every respect — a movie that approaches the level of great boxing films, like "Raging Bull," by using sport as a metaphor for human nature.
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88It is a rich and challenging motion picture that both affirms life and emphasizes its fragility. Eastwood touches our hearts and energizes our minds without resorting to overt manipulation.
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80To steal from Ali, this one floats like a butterfly and stings like a bee.
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80Though conventional in many respects, it feels like no other boxing film ever made, due largely to Eastwood's unmistakable presence on both sides of the camera.
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80All the same, Eastwood's point of view has been seasoned enough to locate poignancy and respect for his protagonists where you least expect -- saying it's an old man's movie is a serious compliment.
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75With his trademark spare, unfussy direction and jumping into the story approach, Eastwood subtly establishes the themes of faith, loss and love and then he raises the drama to a different level.
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70Eastwood's slow-building story of loss and deliverance is a fine, understated piece of storytelling that earns every emotional body blow it lands.
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70It is thoughtful, unfashionable, measured, mostly honest, sometimes clumsy or remote, often exciting, occasionally moving and eventually surprising. It's correct.
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60If we can watch this picture at all, it is because this universally admired person (Eastwood) is in it.
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50In a boxing soap-opera way, Eastwood is trying to do for himself as a performer what Sergio Leone did for him in a spaghetti-western way: douse his rough-hewn banality with reflected emotional coloration.
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20A compendium of every cliché from every bad boxing melodrama ever made, Million Dollar Baby tries to transcend its cornball overfamiliarity with the qualities that have long characterized Eastwood's direction -- it's solemn, inflated and dull.
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20It's impressive, in the sense that a sucker-punch impresses itself on your skull.
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User score distribution:
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Positive: 227 out of 293
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Mixed: 21 out of 293
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Negative: 45 out of 293
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